Le Beffroi: arts, heraldique, archéologie, Volume 2

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E. Gailliard, 1865
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Pagina 74 - Les ouvrages remis après le terme prescrit ou ceux dont les auteurs se feront connaître, de quelque manière que ce soit, seront exclus du concours. L'Académie croit devoir rappeler aux concurrents que, dès que les mémoires ont été soumis à son jugement, ils sont déposés dans ses archives, comme étant devenus sa propriété.
Pagina 73 - L'Académie exige la plus grande exactitude dans les citations, et demande, à cet effet, que les auteurs indiquent les éditions et les pages des livres qu'ils citeront. On n'admettra que des planches manuscrites.
Pagina 148 - Ram (de). Hagiographie nationale. Vies des saints et des personnes d'une éminente piété qui ont vécu dans les anciennes provinces belges. Tome 1er, in-8°.
Pagina 225 - Vatican where the most perfect of painters has left his masterpieces, the soul of the beholder, convulsed by the first, restored to a more natural equilibrium by the second, finds repose and comfort in the chapel of Nicholas V. Here, as elsewhere, the paintings of Angelico speak to the heart and inspire love and kindliness. In one edifice, divided by a few walls, one sees in close proximity the works of three artists. In Michael Angelo we find power, in Raphael form, in Angelico the religious ideal....
Pagina 326 - Laverdant, Désiré. — Appel aux artistes contre le Sphinx et Satan pour le Christ, la Madone et le Paradis. Bilan des salons français. 1699-1864. Douniol. 1 fr. 25 c. Extrait du Mémorial catholique. Lavergne, Léonce de. — L'Agriculture et la Population. 2e édition revue et augmentée. In-12. Guillaunin el C".
Pagina 76 - Tridenfiniœtate, usque adnostrahœc tempora illarum reliquisse usum ; proindeque, eadem perdurante disciplina, necnon Sancta Sede inconsulta, nihil innovari posse censuit, uti pluries...
Pagina 224 - ... bends forward with her arms crossed and looks supremely happy. Nothing can be finer than this group — than the type of the Saviour, which is one of the most suitable to the idea of the divinity that Angelico ever produced, simpler in lines, more religiously soft in expression than those of Giotto, yet regular in proportion and perfect in shape. Harmony and unity are not merely in the features, but in the attitude, and in the elegant sweep of the draperies ; and here again Angelico transformed...
Pagina 49 - Le second voile, ou courtine, que, pendant le carême et la célébration de la messe, on étend devant l'autel, tire son origine et sa figure de celui qui était suspendu dans le tabernacle et qui séparait le Saint des saints du lieu saint, ainsi qu'on le dira dans la préface de la quatrième partie.
Pagina 224 - ... in expression than those of Giotto, yet regular in proportion and perfect in shape. Harmony and unity are not merely in the features, but in the attitude, and in the elegant sweep of the draperies ; and here again Angelico transformed the Giottesque creation so as to suit his own intense religious feeling. If we revert to an antique type of the Christian time, that of Ravenna, whose form and proportion, though noble, reveal the pagan source from which they were derived, we find a creation more...
Pagina 225 - Stephen. Less realistic or severely true than Masaccio, Angelico is here again more gentle and graceful. Masaccio real, Angelico mystic : such might be the sentence of a critic of our time.1 After visiting the Sixtine Chapel, and retiring overwhelmed and humbled from the contemplation of the terrible grandeur and the splendid violence done to nature by the great Michael Angelo, after passing through the Stanze of the Vatican where the most perfect of painters has left his masterpieces, the soul of...

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