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Within himself, a measure and a rule,
Which to the sun of truth he can apply,
That shines for him, and shines for all mankind.
Experience daily fixing his regards

On nature's wants, he knows how few they are,
And where they lie, how answered and appeased.
This knowledge ample recompense affords
For manifold privations; he refers

His notions to this standard; on this rock
Rests his desires; and hence, in after life,
Soul-strengthening patience, and sublime content.
Imagination-not permitted here

To waste her powers, as in the worldling's mind,
On fickle pleasures, and superfluous cares,
And trivial ostentation-is left free

And puissant to range the solemn walks
Of time and nature, girded by a zone

That, while it binds, invigorates and supports.

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Within the soul a faculty abides,
That with interpositions, which would hide
And darken, so can deal, that they become
Contingencies of pomp; and serve to exalt
Her native brightness. As the ample moon,
In the deep stillness of a summer even
Rising behind a thick and lofty grove,
Burns like an unconsuming fire of light,
In the green trees; and, kindling on all sides
Their leafy umbrage, turns the dusky veil
Into a substance glorious as her own,
Yea, with her own incorporated, by power
Capacious and serene; like power abides
In man's celestial spirit; virtue thus
Sets forth and magnifies herself; thus feeds
A calm, a beautiful, and silent fire,
From the encumbrances of mortal life,
From error, disappointment,-nay from guilt;
And sometimes, so relenting justice wills,
From palpable oppressions of despair.

W. WORDSWORTH.

135.

Sleep.

King Henry IV. How many thousands of my poorest subjects

Are at this hour asleep! O sleep, O gentle sleep,
Nature's soft nurse, how have I frighted thee,

That thou no more wilt weigh my eyelids down,
And steep my senses in forgetfulness!

Why, rather, sleep, liest thou in smoky cribs,
Upon uneasy pallets stretching thee,

And hushed with buzzing night-flies to thy slumber,
Than in the perfumed chambers of the great,
Under the canopies of costly state,

And lulled with sound of sweetest melody?
O, thou dull god, why liest thou with the vile
In loathsome beds; and leavest the kingly couch,
A watch-case, or a common 'larum-bell?
Wilt thou upon the high and giddy mast,
Seal up the ship-boy's eyes, and rock his brains
In cradle of the rude imperious surge;

And in the visitation of the winds,

Who take the ruffian billows by the top,

Curling their monstrous heads, and hanging them
With deafening clamour in the slippery clouds,
That, with the hurly, death itself awakes-
Canst thou, O partial sleep! give thy repose
To the wet sea-boy in an hour so rude;
And, in the calmest and most stillest night,
With all appliances and means to boot,
Deny it to a king? Then, happy low, lie down!
Uneasy lies the head that wears a crown.

W. SHAKESPEARE.

136.

To Sleep.

A FLOCK of sheep that leisurely pass by
One after one; the sound of rain, and bees
Murmuring; the fall of rivers, winds, and seas,
Smooth fields, white sheets of water, and pure sky;—

I've thought of all by turns, and still I lie
Sleepless; and soon the small birds' melodies
Must hear, first uttered from my orchard trees,
And the first cuckoo's melancholy cry.

Even thus last night, and two nights more I lay,
And could not win thee, Sleep! by any stealth:
So do not let me wear to-night away:

Without thee what is all the morning's wealth?
Come, blessed barrier between day and day,

Dear mother of fresh thoughts and joyous health!
W. WORDSWORTH.

137.

Song for Saint Cecilia's Day.

FROM Harmony, from heavenly Harmony
This universal frame began.
When Nature underneath a heap
Of jarring atoms lay

And could not heave her head,
The tuneful voice was heard from high
"Arise! ye more than dead!”
Then cold, and hot, and moist, and dry
In order to their stations leap,

And Music's power obey.

From Harmony, from heavenly Harmony
This universal frame began :
From Harmony to Harmony

Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal' struck the chorded shell
His listening brethren stood around,
And, wondering, on their faces fell

To worship that celestial sound.

Less than a God they thought there could not dwell Within the hollow of that shell

That spoke so sweetly and so well. What passion cannot Music raise and quell?

"He was the father of all such as handle the harp and organ."

The trumpet's loud clangor

Excites us to arms,
With shrill notes of anger

And mortal alarms.

The double double double beat

Of the thundering drum

Cries "Hark! the foes come;

Charge, charge, 'tis too late to retreat!”

The soft complaining flute
In dying notes discovers
The woes of hopeless lovers

Whose dirge is whispered by the warbling lute.

Sharp violins proclaim

Their jealous pangs and desperation,
Fury, frantic indignation,

Depth of pains, and height of passion
For the fair disdainful dame.

But oh! what art can teach,
What human voice can reach

The sacred organ's praise !
Notes inspiring holy love,

Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race,
And trees uprooted left their place
Sequacious of the lyre :

But bright Cecilia raised the wonder higher :
When to her organ vocal breath was given,
An Angel heard, and straight appeared-
Mistaking Earth for Heaven!

GRAND CHORUS.

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the blest above;

A great musician. He received a lyre from the god Apollo, upon which he played so beautifully that the rivers stopped their courses, wild beasts were subdued, and the mountains came to listen.

So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on nigh,
The dead shall live, the living die,
And Music shall untune the sky.

138.

J. DRYDEN.

Music in Heaven.

All

The multitude of Angels, with a shout

Loud as from numbers without number, sweet
As from blest voices, uttering joy, Heaven rung
With jubilee, and loud hosannas filled

The eternal regions. Lowly reverent
Towards either throne they bow, and to the ground
With solemn adoration down they cast
Their crowns, inwove with amarant and gold-
Immortal amarant, a flower which once

In Paradise, fast by the Tree of Life,

Began to bloom, but, soon for Man's offence

To Heaven removed where first it grew, there grows

And flowers aloft, shading the Fount of Life,

And where the River of Bliss through midst of Heaven Rolls o'er Elysian flowers her amber stream;

With these, that never fade, the Spirits elect

Bind their resplendent locks, inwreathed with beams. Now in loose garlands thick thrown off, the bright Pavement, that like a sea of jasper shone,

Impurpled with celestial roses smiled.

Then, crowned again, their golden harps they took--
Harps ever tuned, that glittering by their side
Like quivers hung; and with preamble sweet
Of charming symphony they introduce
Their sacred song, and waken raptures high:
No voice exempt, no voice but well could join
Melodious part; such concord is in Heaven.

J. MILTON.

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