Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 50
... Picasso towards the end of 1906 and abandoned in its present state during the course of the succeeding year . It is a disturbing and daring painting today - sixty years ago must have seemed nothing short of incredible . It certainly ...
... Picasso towards the end of 1906 and abandoned in its present state during the course of the succeeding year . It is a disturbing and daring painting today - sixty years ago must have seemed nothing short of incredible . It certainly ...
Pagina 55
... Picasso that Cubism was born . The two painters were introduced by the poet Apollinaire almost immediately after Picasso had finished work on the Demoiselles , and during the following years they worked together in a collaboration of ...
... Picasso that Cubism was born . The two painters were introduced by the poet Apollinaire almost immediately after Picasso had finished work on the Demoiselles , and during the following years they worked together in a collaboration of ...
Pagina 175
... Picasso of the thirties the Picasso of Guernica - seemed around 1940 to epitomize the possibilities inherent in this conjunc- tion , as the Picasso of the twenties the Picasso of the Three Dancers - seemed to epitomize the possibility ...
... Picasso of the thirties the Picasso of Guernica - seemed around 1940 to epitomize the possibilities inherent in this conjunc- tion , as the Picasso of the twenties the Picasso of the Three Dancers - seemed to epitomize the possibility ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck Vorticists Willem de Kooning wrote York