Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 73
... style turned to his work for guidance . In 1915 his art had left a deep imprint on Matisse , and after the war the young Purists acknowledged their debt to him . Even Picasso and Braque paid tribute to him in some of their post - war ...
... style turned to his work for guidance . In 1915 his art had left a deep imprint on Matisse , and after the war the young Purists acknowledged their debt to him . Even Picasso and Braque paid tribute to him in some of their post - war ...
Pagina 149
... style invented by El Lissitzky in 1920. Van Doesburg was so captivated by this style that he sought at once to incorporate it into the De Stijl spectrum of thought . Thus Lissitzky became a member of De Stijl in 1922 , and Van Doesburg ...
... style invented by El Lissitzky in 1920. Van Doesburg was so captivated by this style that he sought at once to incorporate it into the De Stijl spectrum of thought . Thus Lissitzky became a member of De Stijl in 1922 , and Van Doesburg ...
Pagina 155
... style . . . The style idea as abolition of all styles thus creating an elementary plasticity , is sensible , spiritual and ahead of its time . ' For full text in English see De Stijl Catalogue 81 Stedelijk Museum Amsterdam , 1951 , pp ...
... style . . . The style idea as abolition of all styles thus creating an elementary plasticity , is sensible , spiritual and ahead of its time . ' For full text in English see De Stijl Catalogue 81 Stedelijk Museum Amsterdam , 1951 , pp ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck Vorticists Willem de Kooning wrote York