Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 138
Nikos Stangos. SUPREMATISM Aaron Scharf Suprematism is not so much a movement in art as it is an attitude of mind which ... suprematist element : the fecundater of all other suprematist forms . The square was a repudiation of the world of ...
Nikos Stangos. SUPREMATISM Aaron Scharf Suprematism is not so much a movement in art as it is an attitude of mind which ... suprematist element : the fecundater of all other suprematist forms . The square was a repudiation of the world of ...
Pagina 140
... suprematist forms . In the light of Malevich's declarations it is evident that not only did Suprematism reflect the material essence of the man - made world , but it also communicated a yearning for the inexplicable mystery of the ...
... suprematist forms . In the light of Malevich's declarations it is evident that not only did Suprematism reflect the material essence of the man - made world , but it also communicated a yearning for the inexplicable mystery of the ...
Pagina 381
... Suprematism , 138-40 , 243 The basic suprematist element : the square , 65 Suprematist composition conveying a feeling of universal space , 66 Suprematist composition : White on White , 67 Malina and use of light , 221 Manguin , Henri ...
... Suprematism , 138-40 , 243 The basic suprematist element : the square , 65 Suprematist composition conveying a feeling of universal space , 66 Suprematist composition : White on White , 67 Malina and use of light , 221 Manguin , Henri ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck Vorticists Willem de Kooning wrote York