The Bakhtin Circle and Ancient NarrativeRobert Bracht Branham Barkhuis, 2005 - 347 pagina's Mikhail Mikhailovich Bakhtin (1895-1975) has become a name to conjure with. We know this because he is now one of those thinkers everyone already knows-without necessarily having to read much of him! Doesn't everyone now know how polyphony functions, what carnival means, why language is dialogic but the novel more so, how chronotopes make possible any concrete artistic cognition and that utterances give rise to genres that last thousands of years, always the same but not the same? Like Marx and Freud in the twentieth century, or Plotinus and Plato in the fourth, a familiarity with Bakhtin's thinking is so commonly assumed, at least in the Humanities, as to be taken for granted. He is no longer an author but a field of study in his own right. As Craig Brandist (of the Bakhtin Centre at Sheffield University) reports: the works of the [Bakhtin] Circle are still appearing in Russian and English, and are already large in number...There are now several thousand works about the Bakhtin Circle.The freedom given to contributors to address any text or topic under the general rubric of The Bakhtin Circle and Ancient Narrative has produced a remarkable variety of essays ranging widely over different periods, genres, and cultures. While most of the contributors chose to explore Bakhtin's theory of genre or to take issue with his account of one genre, Greek romance, the remaining contributions defy such convenient categories. What all the essays share with one another (and those collected in Bakhtin and the Classics) is the attempt to engage Bakhtin as a reader and thinker. |
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Achilles Tatius adventure-time Alcibiades Ancient Narrative Ancient Novel aphorism Apuleius argues Astyages Bakhtin Circle Bakhtinian body Branham Callirhoe Callirhoe's carnival carnivalesque Chaereas characters Chariton's Chron Chronicles chronotope citation classical Cleitophon comic complex concept context contrast critical Ctesias culture Cyropaedia Cyrus David describes Dionysius discussion Dostoevsky Edmunds Emerson Encolpius Epic and Novel eros erotic essay example fiction gender genealogy genre Greek novel Greek romance hero and heroine Herodotus heteroglossia Holquist Homeric human idea identity Iliad intertextuality king Konstan Kristeva language Leukippe linguistic literary literature meaning Menippean satire Menippus Mikhail Bakhtin monologue Morson narrator Odysseus Oxford parody Persius Petronius philosophical Poetics poetry political polyphony problem prosaic aphorism prose question quotation quoted reader reading reference Rehoboam relationship role Satyrica scene sense social Socratic dialogue speech story style Symposium theory tion tradition trans University Press utterance voices Voloshinov words Xenophon δὲ