 Italian schools, there is full as great a disparity in the effect of their pictures as produced by colours. And though in this respect the Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond...  Lives of the Italian painters: Michel Angelo - Pagina 149door Richard Duppa - 1846 - 474 pagina’sVolledige weergave - Over dit boek
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 pagina’s
...say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroick subjects require, and which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious VOL. i. H of treading the great walk... | |
 | 1814 - 606 pagina’s
...Sir Joshua has supposed, that he agreed with iiim in thinking their colouring too brilliant, and even too harmonious, to produce that solidity, steadiness,...simplicity of effect, which heroic subjects require. \ That such was by no means the opinion of M. Angelo, but that he thought a combination of Venetian... | |
 | Hewson Clarke, John Dougall - 1817 - 928 pagina’s
...truly gveat style. It has been justly observed, " That their colouring is not only too brilliant, but too harmonious to produce that solidity, steadiness)...simple or grave colours only can give to a work." Michael Angelo having seen a picture of Titian, told Vasari who accompanied him, " that he liked much... | |
 | Hewson Clarke, John Dougall - 1817 - 902 pagina’s
...truly great style. It has been justly observed, " That their colouring is not only too brilliant, but too harmonious to produce that solidity, steadiness,...heroic subjects require, and which simple or grave colour» only can give to a work." Michael Angelo having seen a picture of Titian, told Vasari who... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 pagina’s
...the Elegant indeed may be produced by repetition ; by an accumulation of many minute circumstances. However great the difference is between the composition...which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious of treading the great walk o£ history... | |
 | Sir Joshua Reynolds - 1819 - 610 pagina’s
...Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to vOL. i. H produce that solidity, steadiness, and simplicity...which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious of treading the great walk of history... | |
 | Sir Joshua Reynolds - 1824 - 332 pagina’s
...it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, 1 will venture to say, too harmonious, to produce that...which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious of treading the great walk of history... | |
 | Hewson Clarke, John Dougall - 1825 - 892 pagina’s
...truly great style. It has been justly observed, " That their colouring is not only too brilliant, but too harmonious to produce that solidity, steadiness*...simple or grave colours only can give to a work." Michael Angelo having seen a picture of Titian, told Vasari who accompanied him, " that he liked much... | |
 | sir Joshua Reynolds - 1835 - 726 pagina’s
...the Elegant, indeed, may be produced by repetition ; by an accumulation of many minute circumstances. However great the difference is between the composition...which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious of treading the great walk of history,... | |
 | Sir Joshua Reynolds - 1842 - 318 pagina’s
...; and though the science of chiaro-oscuro, and harmony of colour, may detract from the primiHowever great the difference is between the composition of...which simple or grave colours only can give to a work. That they are to be cautiously studied by those who are ambitious of treading the great walk of history... | |
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