Undercover surrealism: Georges Bataille and Documents
In the Paris art world of the 1920s, Georges Bataille and his journal "DOCUMENTS" represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used "DOCUMENTS" to put art into violent confrontation with popular culture, ethnography, film, and archaeology. "Undercover Surrealism," taking the visual richness of "DOCUMENTS" as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dali, Miro, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from "DOCUMENTS" accompanied by essays and shorter descriptive texts, "Undercover Surrealism" recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's "Three Dancers" back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. "Copublished by Hayward Gallery Publishing, London"
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We know little about Bataille's interest in coins, a subject he appears not to have
pursued after publishing two essays in the journal: 'The Academic Horse' (1,
1929, translated in this book) and 'Base Materialism and Gnosticism' (1, 1930).
THE ACADEMIC HORSE There appears to be nothing in the history of the animal
Georges Bataille kingdom, a simple succession of confusing metamorphoses, to
suggest the determinations characteristic of human history: the transformations ...
1968 facsimile of original codex in Biblioteca Universitaria, Bologna 22 x 380 The
Albert Sloman Library, University of Essex 5 ... 34,91) Original photos and layout
decisions for the article in DOCt 'MEVTS, 1, 1929, The Academic Horse\ 1929 ...
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Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen
E PEACE Martin CaigerSmifh 174 JACOUES ANORE BO1FEARO Ian Walker
DOCTRINES TThe Appearance of Things Simon Baker MAX ERNSTS HUNOREOHEAOLESS WOMAN Translation Robert Oesnos
ARCHAEOLOGY CEO Miller 2D8 CINEMA Michael Richardson
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