Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... attitude to the visual arts , in one of two possible ways . The first envisaged a focus on magic - a recurrent emphasis in DOCUMENTS taken to be a perverse response to enlightenment philosophy and a challenge to the surrealist notion of ...
... attitude in this matter relied on the same premises he had already used during the first part of the Dakar - Djibouti Mission in western colonial Africa : do not count on the natives to salvage their past ( that is why the painter ...
... attitude . This recalls the importance of transmutations in primitive times , and the exogamous need to enlarge identity . It is enough to cite the masked costumes inciting identification with animals , ancestors and so on . A different ...
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Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
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Learning to Teach Art and Design in the Secondary School: A Companion to ... Nicholas Addison,Lesley Burgess Geen voorbeeld beschikbaar - 2007 |