Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... field has been - at the time and since - the most controversial of the four . In the influential essay in which he coined the expression ' ethnographic Surre- alism ' , James Clifford called it the wild card of the list , and to be sure ...
... field . In another entry to the Critical Dictionary ( Museum ' , 5 , 1930 ) , Bataille makes a correlation between the museum and the guillotine , the implication being that , as it places objects on display , the museum deprives them ...
... field with the most infantile persistence . The specific character of violent and impersonal emotions that symbols signify has been misunderstood in such a greatly inconsistent way that it has long been difficult to choose between the ...
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Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
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Learning to Teach Art and Design in the Secondary School: A Companion to ... Nicholas Addison,Lesley Burgess Geen voorbeeld beschikbaar - 2007 |