Undercover surrealism: Georges Bataille and Documents

Hayward Gallery, 1 mei 2006 - 271 pagina's
In the Paris art world of the 1920s, Georges Bataille and his journal "DOCUMENTS" represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used "DOCUMENTS" to put art into violent confrontation with popular culture, ethnography, film, and archaeology. "Undercover Surrealism," taking the visual richness of "DOCUMENTS" as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dali, Miro, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from "DOCUMENTS" accompanied by essays and shorter descriptive texts, "Undercover Surrealism" recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's "Three Dancers" back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. "Copublished by Hayward Gallery Publishing, London"

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Undercover surrealism: Georges Bataille and DOCUMENTS

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Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen


E PEACE Martin CaigerSmifh 174 JACOUES ANORE BO1FEARO Ian Walker
DOCTRINES TThe Appearance of Things Simon Baker MAX ERNSTS HUNOREOHEAOLESS WOMAN Translation Robert Oesnos
ARCHAEOLOGY CEO Miller 2D8 CINEMA Michael Richardson

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Over de auteur (2006)

DAWN ADES is Professor of Art History and Theory at the University of Essex. She pioneered the study of Latin American art in the United Kingdom and has also published widely on Dada, Surrealism, and photography.

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