Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... look something like a leather mask , and ceases to hold on to its essential material quality , its ' bronze - ness ' . The implication here is that each issue of DOCUMENTS might contain one or more of these autonomous visual essays that ...
... look beyond the mundane and find beauty.25 For Bataille , however , the superficial ' appearance of things ' was insufficient not because the eye needed retrain- ing to spot beauty . Taking Blossfeldt's example of the sight of a flower ...
... look straight through you and implacably follow you , wherever you walk in the polished or abandoned dust - filled drawing - room , do not express so much insistence , and do not bear witness to so much hidden life . I know someone who ...
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Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
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