Undercover Surrealism: Georges Bataille and DocumentsAn exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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The final two pages of the book , reproduced side - by - side in DOCUMENTS ,
juxtapose the “ primitive social activity of nit - picking with the ' civilized one of
international diplomacy : the European DICTIO NARY PLACES OF PILGRIMAGE
...
This painting , and another similar work , Feminine Nude ( 1928 ) , are
reproduced in DOCUMENTS ( 4 , 1929 ) alongside a baroque anamorphic
painting representing Saint Antony of Padua and the Infant Jesus . The
association of this ...
Desnos reproduced the first ever Fantômas cover , where the top - hatted ,
masked protagonist looms over the Paris skyline , and Rivière a selection of his
favourites , including The Severed Hand and Loves of a Prince ( 1 , 1930 ) . The
second ...
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Undercover surrealism: Georges Bataille and DOCUMENTS
Gebruikersrecensie - Not Available - Book VerdictArt historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen
Overige edities - Alles weergeven
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker,Hayward Gallery Fragmentweergave - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
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