Landscape and MemoryA.A. Knopf, 1995 - 652 pagina's "Opening a radically new and original path into history, Simon Schama explores the scenery of our Western culture, both real landscapes and landscapes of the mind that have given us our sense of homeland, the dark woods of our imagined origins. What unfolds is a series of compelling journeys through space and time: from the ancient woodland of Poland, a symbol over the centuries of national endurance, through the forest birthplace of the German psyche, to the Big Trees of Yosemite that gave a new nation its holy past. Through all of history, from pre-classical antiquity to the Third Reich and beyond, Schama uncovers the myths and memories that have stamped themselves on our most basic social instincts and institutions: territorial identity, the wild and domestic, mortality and immortality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 205
... Church , to produce his own memorial in 1848 , almost immedi- ately after his teacher had unexpectedly died . Much less well known than Asher Durand's memorial tribute , and only recently rediscovered , Church's painting is nonetheless ...
... Church , to produce his own memorial in 1848 , almost immedi- ately after his teacher had unexpectedly died . Much less well known than Asher Durand's memorial tribute , and only recently rediscovered , Church's painting is nonetheless ...
Pagina 236
... church as decoration , a survival of the same sylvan building ? The earliest church of all , Hall thought ( and he supplied the illustration that is the magnificent crowning folly of his entire book ) , was an entire wickerwork ...
... church as decoration , a survival of the same sylvan building ? The earliest church of all , Hall thought ( and he supplied the illustration that is the magnificent crowning folly of his entire book ) , was an entire wickerwork ...
Pagina 290
... Church of Santa Trinità on the hill that overlooks it . For even without the Spanish steps it seems likely that Bernini , who certainly knew the traditional metaphor of the Church as a ship , meant to have the fountain and the church ...
... Church of Santa Trinità on the hill that overlooks it . For even without the Spanish steps it seems likely that Bernini , who certainly knew the traditional metaphor of the Church as a ship , meant to have the fountain and the church ...
Inhoudsopgave
The Detour | 23 |
CHAPTER ONE In the Realm of the Lithuanian Bison | 37 |
ii | 43 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Aby Warburg Alpine Alps American ancient animals Anselm Kiefer arcadia architecture artist Barlow became beneath Bernini Białowieża Big Trees bison Borglum British Cambridge Caspar David Friedrich century Christian church classical climb color illus cross cult culture death Denecourt Dinocrates emblem Empire England English essay famous Fontainebleau forest France French garden German Gothic greenwood groves Hermannsdenkmal hills holy hunting Ibid imagined imperial J. M. W. Turner Jews John John Robert Cozens Kiefer king land landscape Lithuanian living London memory Mickiewicz Mont Blanc Mount Mount Rushmore mountain myth nature Nile obelisk Osiris pagan painting Pan Tadeusz Paris park patriotic poet Poland Polish primitive Ralegh Ramond Renaissance river rock Roman Rome royal Ruskin sacred scenery seemed symbols Tacitus temple Thames Thomas Thomas Cole thought timber tion tradition trans turned University valley village Warburg wild wilderness William woodland woods York Yosemite