Le Brun (C.), Le Grand Escalier de Versailles, gravé par E. Baudet, et le Plafond par C. Simmoneau; La Franche-Conté conquise pour la seconde fois, gravée par C. Simmoneau; La Voûte de la Chapelle de Séaux, dont le sujet est l'Ancienne Loi accomplie par la Nouvelle, gravée par C. Audran. In one vol. large folio. [Paris, 1674-81.] Beautiful impressions, from the royal collection, the French arms stamped on the sides and back.

From the Dutch and Flemish Schools, after L. Bakhuisen; Berghem, by himself and J. Vischer, including Berghem's Ball, others by Aveline, Vivares, and Boydell; Jo. Both, by Maetham; Breenberg; Brouwer, by Vischer and M'Ardell; G. Douw; Echout, including the Fifty-guilder Print by Baillie; Genoels; Ferg, by Wagner; Gheimer, including the Sorcery and Tobit by Goudt; C. du Jardin; J. Jordaens, including Bacchus and Philemon by N. Lawers; A. Kuyp; P. de Laer; F. Mielly; F. de Neue; A. Van Ostade, including the Painter, Cottage Dinner, Fair, &c. &c. by himself, and the Peasant's Quarrel by Sayderhoef; Poelenburg and Bout; Rembrandt, including Haman and Mordecai, (in a very early state,) Little la Tombe, Tribute to Cæsar (early impressions), Christ driving the Money-changers out of the Temple, Christ and the Samaritan Woman, the Hundred - guilder Piece, or Christ Healing the Sick, Ecce Homo (a finished impression), and the Descent from the Cross (companions), Death of the Virgin-Landscapes, including the Cottage and Barn, that with the Mill-sail, and the pair, the second of which contains a square tower-Portraits, including John Lutma and three of Rembrandt by himself-- Copies, Rembrandt's Mother by M'Ardell, and others by Earlom, Simon Ravenet, Pether, and Wood; Rubens, including Elizabeth and Mary by De Jode, Christ bearing his Cross, Murder of the Innocents, "Christus Funus," and the Assumption, by P. Pontius, the Education of the Virgin by S. A. Bolswaert, and the Crucifixion and a Hunting Piece by A. Bolswaert; Mutius Scavola, and Diana Hunting, by Goupy, the Ceiling of Whitehall by Gribelin, and the Chapeau de Paille by Reynolds (proof). (Collection of Prints, Vol. VII.)

From the Dutch and Flemish Schools, after S. Ruysdael; F. Snyders, by Zaal; P. Stevens, including the Seasons, &c. by Giles Sadeler, and others by Marco Sadeler; Teniers, including the Sebat by Aliamet, Chemist and Surgeon by Major, Prodigal Son and two Flemish Feasts by Le Bas, and others by Laurent; Ant. Vandyke, including Holy Family and Crucifixion by S. E. Bolswaert, Belisarius by Goupy, Rinaldo and Armida by P. de Jode, and its companion by P. Baillu; J. Van Eyck, including the Adoration of the Infant Jesus by the Three Holy Kings by C. Van Hess; Vanderneer; Vandervelde; C. Visscher, including the Rat-catcher and Pancake Woman (first impressions); N. Vleughels; Van Vliet; Waterloo; Vries; P. Wouvermans, by J. Vischer, Strange, Laurent, and including the Meage, and Death of the Stag, by Major. (Collection of Prints, Vol. VIII.) Brun (le), Galerie des Peintres Flamands, Hollandais, et Allemands, CCI Planches gravées d'après les meilleurs tableaux de ces maîtres. 3 vols. folio. Paris, 1792.

Abr. Bloemart. - Hagar and two Landscapes by Sainredam and Maetham. Folio. (Rubens' Landscapes.)

Rubens (XXV. Landscapes, &c. after) by S. Bolswaert, and a Flemish Landscape by Major. Folio.

Copies from Rubens are considered Bolswaert's best performances. Rubens (La Galerie du Palais du Luxembourg, peinte par), dessinée par Nattier, et gravée par les plus illustres graveurs. La. fol. Par. 1710.

From the German School, after Albert Durer, including the Prodigal Son, and Melancholy; W. Hollar, including Theatrum Mulierum (14 Plates), Tower of London, Peace proclaimed at Antwerp; Holbein, including Henry VIII. presenting the Barber-surgeons their Charter by B. Baron, and St. Barbara; Raphael Mengs; and nine anonymous Prints. (Collection of Prints, Vol. VIII.) Lithographic Engravings (LXXI.) of Scriptural and Religious Subjects, after Hammeling, J. Van Eyck, M. Coxis, J. von Meckenem, C. Hemskirk, J. Patenier, Mabuse, H. Vandergoes, J. von Melem, M. Wilhelm von Koln, J. Schwartz, B. de Bruijn, Hemling, Alb. Durer, L. Kranach, B. Von Orley, T. T. Walch, M. Grünewalde, J. Schoorel, M. Schon, Holbein, J. Kalcar, P. de Mares, L. Van Leyden, Hans Burgmaier. Large folio. Gedruckt unter der Direction von Strixner, in Stuttgart und München, 1820–30.

From the English School, after Sir W. Beechey, including the FortuneTeller by Young; E. Bird, including Chevy Chase and Surrender of Calais by Young; T. Frye; Hogarth, the original published Plates, mcluding Calais Gate, Gin Lane, Beer Street, Cockpit, Superstition and Enthusiasm, Paul before Felix, the Good Samaritan, and Pool of Bethesda, by Ravenet; Ang. Kauffman, including Blind Man's Buff and Cornelia by Bartolozzi; J. Mortimer, including King John by Ryland; Geo. Lambert; Sir J. Reynolds, including Garrick between Tragedy and Comedy by Fisher; H. Richter, including Christ giving Sight to the Blind by Young; G. Morland, by Williamson; John Smith, by Woollett; Stothard, including Pilgrimage to Canterbury by Schiavonetti and Heath (India proof); Stubbs; B. West, including Penn's Treaty by Hall, the Death of Wolfe by Woollett, Alfred dividing his Loaf with the Pilgrim by W. Sharp, and Christ Healing the Sick by Heath (India proof); R. Westall, including Telemachus and Calypso by Scriven and Williamson; Wheatley, including the Cries of London by Vendramini and Schiavonetti; D. Wilkie, including the Jew's Harp and Blind Fiddler by Burnet ; B. Wilson; R. Wilson, by Woollett and Wooton. (Coll. of Prints, Vol. IX.)

Britton (John), the Fine Arts of the English School; illustrated by a series of Engravings from Paintings, Sculpture, and Architecture of eminent English Artists; with Biographical, Critical, and Descriptive Essays by various Authors. Folio. London, 1812. Hogarth. Original Impressions of the Rake's and Harlot's Progresses, the Poet, Bartholomew Fair, Morning, Noon, Evening, and Night, Strolling Players, the Enraged Musician, and Illustrations of Hudibras. Large folio.

Hogarth (the genuine Works of), illustrated with Biographical Anecdotes, a Chronological Catalogue, and Commentary, by J. Nichols and Geo. Steevens. 3 vols. 4to. large paper. London, 1808-17.

Hogarth (Graphic Illustrations of), from Pictures, Drawings, and scarce Prints; edited by Samuel Ireland. 2 vols. 8vo. Lond. 1794.

Martin's (John) Illustrations of the Bible. Proofs before the letters. Folio. London, 1831.

Martin's (John) Illustrations of Paradise Lost. (Poetry.)

Gallery of the Society of Painters in Water Colours. India Proofs. Imp. 4to. London, 1832.

Drawings.

Original Drawings and Sketches; viz. Four illustrative of Ovid's Metamorphoses, apparently by one of the old Italian Masters; by F. Parmigiano, Batt. Franco, Polidoro, Carlo Maratti, Guido, Primaticcio, A. Carracci, B. Bandinelli, Guercino, Gaysar, Claude Lorraine, Moucheron, Chatelain, three Studies by Vandyke, Genoels, C. Berghem; Bird's-eye Views of Prague and Passau, " W. Hollar delin. Aug. 1636," beautifully executed; and various Chalk Studies, anonymous but evidently by some of the old Masters. (Coll. of Prints, Vol. XIII.)

Galleries of Paintings.

The British Gallery of Pictures, selected from the most admired productions of the old Masters in Great Britain; accompanied with Descriptions, historical and critical, by Henry Tresham, William Young Ottley, and Peltro William Tomkins. Folio, India proofs. Lond. 1818. British Gallery of Engravings, from Pictures in the most celebrated. Collections in Great Britain; edited by Edward Forster. Folio, India proofs. London, 1815.

Angerstein Gallery.-Young's (J.) Catalogue of the Collection of Pictures of the late J. J. Angerstein; with a finished Etching and Description of every picture. Imp. 4to. proofs. London, 1823. Blenheim Collection.-Smyth's (John) Mezzotinto Engravings from Pictures of Titian at Blenheim, with Frontispiece by Vertue, the Holy Family from Carlo Maratti, and Portraits of Wing, Anthony Leigh, Rembrandt, first Earl of Athlone, and the equestrian one of the Duke of Schomberg. Folio. London, 1709.

Derby Gallery.-Winstanley's (Hamlet) Twenty Etchings from the Earl of Derby's Collection of Pictures at Knowsley, with Portrait of his Lordship. Folio. 1728-29.

Grosvenor Gallery. -Young's (John) Catalogue of the Pictures at Grosvenor House, London, with Etchings from the whole Collection; executed, and accompanied by historical Notices. Imp. 4to. proofs. London, 1820.

Leicester Gallery.-Young's (J.) Catalogue and Etchings of the Pictures of British Artists in the possession of Sir P. Leicester, Bart.; with Descriptions. Imp. 4to. proofs. London, 1821.

Leigh Court.-Young's (J.) Catalogue and Etchings of the Pictures at Leigh Court, near Bristol, the seat of J. P. Miles, Esq. Imp. 4to. proofs. London, 1822.

Stafford Gallery. - Engravings of the Pictures in the Marquess of Stafford's Collection in London, arranged according to schools, and in chronological order; with Remarks on each picture by William Young Ottley and P. W. Tomkins. Proofs on India paper, 4 vols. in 2, folio. London, 1818.

Strawberry Hill. Walpole's (Horatio) Description of the Furniture, Pictures, Curiosities, &c. at Strawberry Hill. (Orford's Works, Vol. II.)

Dresde (Galerie Royale de); ou, Recueil d'Estampes d'après les plus célèbres de ses Tableaux; avec une Description en Ital. et Fran. 2 parts in one vol. folio. Dresde, 1753-7.

10 vols. 8vo.

Dusseldorf (la Galerie Electorale de); ou, Catalogue raisonné et figuré de ses Tableaux; par N. de Pigage. 2 vols. folio. Basle, 1778. Florence Gallery. - Reale Galleria di Firenze illustrata. Firenze, 1817-25. Galerie de Florence (Tableaux, Statues, Bas-reliefs, et Camées de la) et du Palais Pitti, dessinés par M. Wicar, avec l'Explications par M. Mongez l'aîné. Original edition. 4 vols. in 2, folio. Paris, 1789-1807.

French Royal Collection.-Tableaux du Cabinet du Roi. Folio. Paris, 1679.

This has the descriptions by Felibien, often wanting, and contains the 38 plates. The Holy Family by Edelinck, and Christ at Emmaus, commonly known as "la Nappe de Masson," are, especially the latter, fine impressions.

Couche (J.), Galerie du Palais Royal, gravée d'après les Tableaux de différentes écoles qui la composent; avec une Description de chaque Tableau par De Fontenai, Morel, &c. 3 vols. folio. Paris, 17861808.

Landon (C. P.), Annales du Musée et d'Ecole moderne des Beaux Arts, Recueil des Gravures au trait d'après les principaux ouvrages de Peinture, Sculpture, &c. du Musée; Paysages et Tableaux de Genre, gravées en taille douce; Annales du Musée, seconde collection, comprenant Partie Ancienne, les Galeries Giustiniana et Massias, et Salons de 1808-31, avec des Notices historiques et critiques. 42 vols. 8vo. Paris, 1801-31.

Galerie de Lucien Bonaparte (Choix de Gravures à l'eau forte, d'après les Peintures originales et les Marbres de la). The Plates executed in Italy. Folio. Londres, 1812.

Lucien Bonaparte.-The Catalogue of the Originals sold at Buchanan's, Pall Mall. 8vo. London, 1815.

Russian Imperial Collection.-A Set of Prints, engraved after the most capital Paintings in the Collection of her Imperial Highness the Empress of Russia (Catherine II.), lately in the possession of the Earl of Orford, Houghton Hall; with Plans, Elevations, &c. by J. and J. Boydell. 2 vols. large folio. London, 1788.

A fine set of the original impressions, 1775, &c.

Vienna.-Galerie Impériale au Belvidère à Vienne, d'après les desseins de S. de Perger, avec un Texte explicatif, critique, et historique, sur chaque objet. 4to. Vienne, [1830].

Portraits.-See also " Biography."

Portraits Jane Seymour, after Holbein, by Hollar; Mary Queen of Scots, by Vertue; Charles I. by Gaywood; Princess Charlotte, after C. Jones, by Agar; Princess Royal (Queen Dowager of Wirtemberg), after Fischer, by Skelton; Duke and Duchess of Cambridge, and the young Prince George and Princess Augusta; Clement IX., after Carlo Maratti, by J. Hall; Clement XIII., after J. B. Pirenesi, by Cunego;

Margaret of Scotland, Queen of Louis XI. (Dr. Dibdin's private plate); Young Napoleon, after Ender, by Steinmüller; Louis XVIII. by Colnaghi; Charles X., Louis Antoine and Marie Thérèse, Duc et Duchesse d'Angoulême, in mezzotinto, by Turner; Anna, Empress of Russia, after Wandelaer, by Houbraken; Nicolas I. and Alexandrina, Emperor and Empress of Russia, after Krugner; William I., King of the Netherlands, after Cels, Wilhelmine, his Queen, after Vanderkhoven; Prince of Orange, after Copley, by C. Turner, the same, and the Princess Anna, by Sinati, on stone; Prince Frederick, and the Princesses Louise and Marianne; Frederick William III. King of Prussia, after Arnold; Frederick Augustus, King of Saxony, after Vogel, by Steinla; Augusta, Princess of Liegnitz, after Kruger; Charles Frederick, Duke of Brunswick and Lunenberg; George, Duke of Buckingham, and his brother Francis, 1636, after Vandyke, by M'Ardell; the Pembroke Family, after Vandyke, by B. Baron; Earl of Arundel, after Vandyke; Frederick, Lord North, after Dance, by Burke; Lord Lovat by Hogarth; Countess of Clarendon, after S. G. Kneller, by Faber; Countess of Coventry, by M'Ardell; Duke of Rutland, after Hoppner, by C. Turner; Earl and Countess Spencer, after Hoppner, by Reynolds; Marquess of Stafford, after Owen, by Meyer; Duchess of Northumberland, after Robertson, by Dean; Markham, Abp. of York, after Sir Joshua Reynolds, by J. R. Smith; Bp. of Carlisle, after Hoppner, by C. Turner; Bp. Heber, after Phillips, by Reynolds; Sir Hans Sloane, after Kneller, by Faber; Sir Joseph Banks, after Reynolds, by Dickinson; Sir W. Scott, after Raeburn, by C. Turner; Dr. Aldrich, after Kneller, by J. Smith; Lawrence Sterne, after Reynolds, by Fisher; Dean Cyril Jackson, after Owen, by C. Turner; Claudius Buchanan, after Slater, by Lewis; John Graham, after Marshall, by Wood; Ed. Irving, after Robertson, by Meyer; John Wesley and George Whitfield, after Hone, by Grenwode; John Watson, by Williams; Arthur O'Leary, after Murphy, by Keating; Spencer Percival; Two Ladies, after Ramsay, by M'Ardell; Miss F. Murray, after H. Morland, by M'Ardell, Mrs. Bouverie and Mrs. Cruse, after Sir J. Reynolds, by Marche; T. T. Mayern, after Rubens, by Simm; Dr. Radcliffe, after Kneller, by Vertue; Capt. Thos. Coram, after Hogarth, by M'Ardell; M. Prior; M. Isaac, after Goupy, by White; A. Sharp (the Mathematician) by Vertue; Geo. Holmes, after Van Bleeck, by Vertue; Sir Joseph Radcliffe, after Owen, by Heath; G. Gibbons (the Sculptor), after Kneller, by Smith; Henry Jenkins; John Bellingham; Mrs. Hunt; Mrs. Pope; Thos. Stothard, after Harlow, by Worthington; Barth. Johnson; Cardinal Julius di Medicis, after Raphael, by Edelinck; Cardinal Bentivoglio, after Vandyke, by Morin; Cardinal Fleury, after Rigaud, by Drevet; Abp. Fenelon, after Rigaud, by Smith; Le Masle, Prior des Roches; Castiglione, after Raphael, by Edelinck; Comte d'Harcour, after Mignard, by Masson; Ninon de l'Enclos by Scriven (Dr. Dibdin's private plate); Agnes, Albert Durer's Frau, by Foebers; a Lady, after Carlo Dolci, by Raphael Morghen; Ignatius Loyola and Giov. Francesco, Jesuits, after Carlo Maratti, by Wagner; Lud. Hesselin, by Nanteuil; Seg. Havercamp, after Mieris, by Houbraken; Const. Hugens, after Vandyke, by P. Ponsius; Goethe and Klopstock, on stone, by Bendixen; Ez. Spanheim, after Arlaud, by Simon; Ant. Vitré, by Morin. (Coll. of Prints, Vol. X.)