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LONDON, SATURDAY, OCTOBER 28, 1905. (containing Parts I. and II., and Part III.

respectively), only the first of which appears CONTENTS.-No. 96.

to have come under the notice of the writer NOTES :-Coleridge Marginalla, 341–Tete-a-Tete Portraits, in Blackwood. In this volume I found the 342-Queen Elizabeth's Visits to Winchester, 344—“Praty “note written on note-paper” which he re-Uchoreus-Suicides buried in the Open Fielde—“Unanswered yet," &c.-English Poets and the Armada, 3464 produces, but, strange to say, no trace of the cester-Terry's Voyage to East India,' 1665–Ball-games apparently, or such of them as survived the Waterloo Veteran-- Morgan and Polton, Bishops of Wor- marginal notes to which he alludes. These, played on Festivals— " Spongeltis," 347.

shears of the bookbinder, have finally sucQUERIES :-Miners' Greeting - Hyde Marriages — Arch- cumbed to time. The marginalia in the bishop Kempe – Worple Way St. Nicholas Shambles, 348 – Rainsford Hall- Prisons in second volume, however, though also mutiParis during the Revolution-Hair-Powdering Closets-lated, are not mutilated beyond all recogniWatson and Hodgson Families-Lord Bathurst and the

tion; and the matter which they contain Highwayman-Martin Malapert-Heraldry, 349—“Fountain-beads and pathless groves"-Early Lift-Custom of seenis to me of sufficient interest to explain, Thraves — "Totum sume, Auit” - Pisboken'-William if not to justify, the following attempt to Morris's Welsh Ancestry-Lyrical Ballads': Motto, 350.

restore them. REPLIES :-Moon Names, 350—“Sacræ Pagipæ Professor

The 'Kalligone' was written mainly as a -Ephis and bis Lion-Copenbagen House, 351-Wbit. combe Family - Corisande - Greyfriare Burial-Ground reply to Kant's 'Kritik der Urteilskraft,' and Swedish Royal Family - Byways in the Classics, 352.. the writer's method of criticism is to set up Prisoner suckled by his Daughter-Authors of Quotations detached statements from Kant's work and

Civil War Verses — * Belappit," 354 — Farrant's Anthem « Pearls cannot attack them in their isolation. The first of equal the whiteness of his teeth” – Foxes as Food for Men these citations to provoke a comment from _ Christ's Hospital"-John Danister, Wykebamist, 355 - Eton School Lists – The Pigmies and the Cranes — Coleridge is the following: "Erhaben nennen Detectives in Fiction, 356--Robinson Crusoe. 1819- Henry wir das, was schlechthin gross ist' (“We call Hudson's Descendants-Charles Churchill: T. Underwood

that sublime, which is absolutely great”). Ceremony at Ripon, 357 — Duchess of Cannizaro Coop," to Trap-Nutting-Sanderson Dance, 358.

Coleridge's note runs thus :NOTES ON BOOK8:- New English Dictionary'- The Origin and History of the Thoroughbred Horse'—Acts the exercise of comparison is suspended : while on

“We call an object sublime in relation to which of the Privy Council'- Intermédiaire.'

the contrary that object is most beautiful, which in Notices tu Correspondents.

its highest perfection sustains while it satisfies the comparing Power.

The subjective result is......

when a wheel turns 80 smoothly and swiftly as to Notes.

present a stationary image to the eye, or as a foun. tain (such as either of the two in the Colonnade of

St. Peter's at Rome, ‘Tons omni fonte formosior !).' COLERIDGE MARGINALIA,

It is impossible that the same object should be In Blackwood's Magazine for January, 1882, sublime and beautiful at the same moment to the is an article dealing with marginal notes by and be made the symbol of an Idea that is truly.....

same mind, though a beautiful object may excite Coleridge on certain books now in the Serpent in a wreath of folds bathing in the sun is British Museum-among them a copy of beautiful to Aspasia, whose attention is confined to Herder's 'Kalligone.' Unhappily," says the visual impression, but excites an emotion of the writer of the article in question,

" Cole- sublimity in Plato, who contemplates under that ridge's notes on Herder's 'Kalligone,' which symbol the Idea of Eternity.' would appear to have been most entertain- How is the first hiatus to be restored? The ing, have had their life-thread cut short by, wheel and the fountain are apparently adthe shears of Atropos, the bookbinder." vanced as instances of the beautiful," which Allusion is then nade to a fragment which sustains while it satisfies the comparing the shears have spared, and the writer Power.” Else why the “Fons omni fonte proceeds: “A note written on a sheet of formosior"? The sense, then, would seem to note-paper, and bound into the volume, has be that the subjective result is of the second happily escaped the vandal bibliopegist." kind when such a wheel or such a fountain This note he then reproduces in full.

is contemplated. But let us turn to the rest To the above article my attention was of the passage. The second hiatus is more drawn shortly after I had myself had occasion easily filled up. If we place "sublime ” after to consult the annotated copy of the

truly," and

A" before " serpent," we shall Kalligone,' and I was surprised to find that have at least the gist of the missing line. the description of the book given in Black- Coleridge supplements the first illustration wood did not tally with my knowledge of it. of the beautiful with a second, which is also On further inquiry, however, I found that an illustration of the sublime. When the there are, as a matter of fact, two volumes mind rests entirely in the sensuous contemof the Kalligone' annotated by Coleridge plation of the serpent's folds, they appear as

beautiful. To affect the mind as sublime, see below" a beautiful, a magnificent object"), they must excite the idea of eternity through but not sublime. Finally he gives an example the material analogy. Plato does not con- of an object beautiful or sublime under template eternity in the serpent, but by different conditions. This instance will, in means of it, and his contemplation is intel- view of what he has already said, present no lectual. Hence we

can understand Cole- difficulties. The sun-smitten mountain is ridge's statement that the sublime suspends beautiful, in virtue of what it actually and the operation of comparison. For this directly presents to the senses ; the cloudoperation requires a sensible basis. In beau- capped mountain is sublime, in virtue of the tiful objects such a basis is supplied by the idea of infinity which it suggests to the mind. relative adequacy of the form to its ideal At the end of this last note we may supply content. Thus in the wheel or the fountain, encompass it, is sublime." as instanced by Coleridge, it appears to be Dorothy Wordsworth relates how Coleridge, motion in rest which is more or less per: gazing at the falls of Clyde, was delighted fectly expressed.* And as the beautiful by the remark of a visitor which characobject, or the object as beautiful, is constantly terized them as majestic ; and how his before the cousciousness, our sense of its delight was quickly dissipated when the relative perfection coexists with our sense of same personage added : “Yes, beautiful and its beauty. The object as sublime, on the sublime.' One would like to know wherein other hand, is lost sight of in the intellectual he found the peculiar appropriateness of contemplation which it excites; and the mind, the first epithet; and why he did not resting in pure ideas, has no stimulus to rather choose the epithet "sublime," of the comparison. It is true that we may compare many which his companion lavished on the objects in respect of their adequacy as sym- falls. For if we rightly conceive the water. bols ; but this attitude to the object cannot fall as partly hidden in the cloud raised by possibly coexist with the sense of its sublimity. its own spray, the distinction between it

From Herder's next citation from the and the fountains at St. Peter's becomes • Kritik 'I translate the following :

analogous to that between the cloud-wrapt From this fact (viz., that we call that which is and unclouded mountain peak, except that absolutely great sublime) it follows that the sub- in the first case the varying size enters as lime is not in the things of nature,

but in our ideas a factor in the varying emotional effect. alone...... The above explanation may also be ex: Only the day before this incident at the pressed thus: That is sublime in comparison with

falls, Coleridge, who "had been settling in which everything else appears small."

his own mind the precise meaning of the Coleridge remarks upon the last sentence: words grand, majestic, sublime, &c., had “ Here Kant has layed himself open to just

6 discussed the subject at some length with censure"-alluding evidently to the inadmis

William."

But of this conversation no. sibleness of the word "comparison,” in refer- record has been left.

J. SHAWCROSS. ence to that which is absolutely great. But Herder's own censure is of a different kind. He refuses to banish the sublime from the

TETE-A-TETE PORTRAITS IN sphere of nature, and his assertions provoke •THE TOWN AND COUNTRY MAGAZINE. the following comment from Coleridge (the

(See ante, p. 241.) last of his notes) :

I CONTINUE the list of identifications of “Herder mistakes for the Sublime sometimes the Grand, sometimes the Majestic, sometimes the these portraits : Intense, in which last senge we must render......or

Vol. IV.(1772). magnificent, but as a whole (a visual whole, I mean, 40. P. 9, Lord_H........ and Mrs. L..sle. it cannot be sublime. A mountain in a cloudless

Lord

Harrington and...... sky, its summit smit with the sunset, is a beautiful, a magnificent object: the same with its summit 41. P. 65, The Equestrian Hero and Mrs. K..dal.

Henry, tenth Earl of Pembroke, and hidden by clouds and seemingly blended with the sky, while mists and floating vapours......” [the rest 42. P. 121, The Battersea Baron and Mrs. V.....t.

Mrs. Kendal. is lost].

Lord Bolingbroke and...... Here the first hiatus apparently extends 43. P. 177, Lord Ironham and Mrs. G....n.-Baron to a line and a half. Coleridge evidently

Irnham of Luttrelstown and... adduces another concrete illustration, this 44. P. 233, Capt. H..... and Mrs. B.....y.—William time of an object which may be called intense 45. P. 289, The Minden Hero and Mrs. w....t.

Hanger and Mrs. Baddeley. or magnificent (and perhaps also beautiful ;

Lord George Sackville and......

46. P. 283*, The Modern. Esculapius and Lady * Or rather unity in multeity. See bis definition

G...ston.-Sir William Browne and of Beauty in the Bristol Essays.

Lady Gunston.

6

47. P. 345, The Heroic Minister and Madame P.....lle. 77. P. 569, Lord C....gh..m and Mrs. F........I.-Lordi -Sir Robert Murray Keith and......

Conyngham and...... 48. P. 401, The Inflexible Patriot and Miss Betsy 78. P. 625, The Powerful Pleader and Miss C....... Wil..x.--Charles, second Marquis of

-John Dunning and Miss Lucy Charl.
Rockingham, and
Miss Betsy Wilcox.

ton. 49. P. 457, Lord G.... and Mrs. O.b..n.-Earl Gower 79. P. 681, The Pious Preacher and Miss D....mple. and Mrs. Osbern.

and Miss Dalrymple. 50. P. 513, L..d P.... and Miss L..b..t.-Lord Percy and......

Vol. VII. (1775). 51. P. 569, The Amorous Advocate and the Temple 80. P. 9, The Hon. Capt. H....y and Mrs. N..b..t.Toast. Lord Thurlow and Miss

Capt. Augustus John Hervey and Hervey.

Mrs. Nesbitt. 52. P. 625, The Cumberland Baronet and Miss 81. P. 65. Peeping Tom of Coventry and Miss L..w..8.--Sir James Lowther and......

W.....m8.-George William, sixth Earl 53. P. 681, The Poaching Preacher and Miss Pl....).

of Coventry, and Miss Williams. -Rev. Mr. C......, and......

82. P. 121, The E. of A....m and Miss M.th.ws.Vol. V. (1773).

Earl of Ancram and Miss Matthews. 54. P. 9, Lord Jehu and Mrs. G.....8.-James, sixth 83. P. 177, Theatricus and Miss L......7.-Mr. Fitz. Earl of Salisbury and......

patrick and...... 55. P. 65, E. of C. and Madame La M...... N.-Earl 84. P. 233. Lord S...th and Miss Harriett P.....of Carlisle and......

Lord Seaforth and Miss Harrietet 56. P. 121, Lord B....... and Mrs.B......

..y:-Frederick,

Powell. fifth Earlof Berkeley, and Mrs.Bayley. 85. P. 289, Lord C..........d and Signora Ball.nt.ni.57. P. 117, The Earl of E....... and Madame Du T.o.

Philip, fifth Earl of Chesterfield, and
-Earl of Egremont and Madame Du

Signora Ballantini.
Thé.

86. P. 345, Earl of S......... and Malle. Le B...D.58. P. 233, The Hibernian Hero and Miss P....m.

David, seventh Viscount Stormont, Lord Clanricarde and......

and Mlle. Le Brun. 59. P. 289, The Commissary and Miss Gr.sl..y.-87. P. 401, The American Hero and Miss V..gh.n. -.and......

Lord Howe and Miss Vaughan. 60. P. 345, Baron Jaghire and Miss Fanny Ch...0.- 88. P. 457, M..... of G....y and Miss S.......th.Robert Clive and......

Charles, Marquis of Granby, and Miss 61. P. 401, The Young Cub and Madame H.......

S.......
Charles James Fox and Madame 89. P. 513, D..O of B.......r and Miss L...gl...y:
Heinel.

Duke of Bridgewater and Miss 62. P. 457, The Circumnavigator and Miss B...n.

Langley. Joseph Banks, the traveller, and...... 63. P. 513, The Libertine Macaroni and Mrs. R...n.-90. P. 569, R. H. ......., Esqre., and Miss K....... D... Lord Lyttelton and......

-R. Henley Ongley and ......

Miss 64. P. 569, D..e of St. A..... and Malle. La P..e.- 91. P. 625, The Shaftesbury Nabob and Aubrey, fifth Duke of St. Albans, 92, P. 675, The Caledonian Orator and the Irre.

K..ghl..y.-Thomas Rumbold and...... and......

sistible Mrs. S.....ns. and...... 65. P. 625, The Nautical Lover and Miss Betsy C....n.-John Byron and......

Vol. VIII. (1776). 66. P. 681, The Macaroni Preacher and Mrs. R...n. -Dr. William Dodd and......

93. P. 9, The Eloped Clara and the Combustible

Lover.-Anne Brown (Mrs. Cargill ?). Vol. VI. (1774).

and Miles Peter Andrews. 67. P. 9, Lord Le D........ and Miss B.....y.-Lord 94. P. 65, P....... M......., Esq., and Miss Clara Le Despencer and......

H....d.-Philip Meadows and Clara.. 68. P. 65, The Hibernian Demosthenes and Miss

Haywood. S....r.-Edmund Burke and...... 95. P. 121, The R.gate Amoroso and Lady Pyebald. 69. P. 121, Sir C.... B..... and Sophia H....r. — Sir

and Lady Talmouth. Cecil Bishop and Miss Sophia Hunter. 96. P. 180, Lord B......u and Signora G........-Lord 70. P. 177, Sir Timothy Tallboy and Mrs. G....S.

Beaulieu and Signora Gabrielli.
Sir Thomas Robinson and......

97. P. 233, Kiteley and Elfrida. Gentleman” 71. P. 233, The Martial Orator and Miss G......,

Smith and Mrs. Hartley.
Col. Barré and......

98. P. 289, The Disappointed Nabob and Miss72. P. 289, Bloomsbury Dick and Mrs. S....D.

R.........d.-Francis Sykes and...... Richard Rigby and......

99. P. 345, Sir Mathew Mite and Mrs. A....St....d.. 73. P. 345, The Submissive Duellist and Mrs.

-General Richard Smith and Mrs.
H....ck. — Capt. Scawen and Mrs.

Armistead.
Horneck.

100. P. 401, Count de B........ and the Vauxhall 74. P. 401, L.... V........ and Mrs. E.....t. - Lord

Syren.- Count de Belgeioso (?) and
Valontia and Mrs. Grace Dalrymple

Charlotte Brent.
Elliott.

101. P. 457, Capt. Bobadil and Mrs. B.... 11....my.-75. P. 457, Lord A......... and Mrs. P........-Lord

Henry Woodward and Mrs. Bellamy. Abergavenny and......

102. P. 513, The Noble Cricketerland Miss G.......m.. 76. P. 513, General H...... and Mrs. M.......

- The Duke of Dorset and...... General Edward Harvey (?) and Mrs. 103. P. 569, The Hibernian Patriot and Miss M...t.n.Martin.

-Duke of Leinster (?) and......