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did some illustrating themes by Beethoven Man-eater is applied to sharks in 1837, horses in
and Chopin, but on these my recollection is 1840, and tigers in 1862. Mangel-wurzel is worth
consultation. Under mangle, derived ultimately
not so clear. Of his Wagner designs, ideal
scenes with symbolical figures, many have from Greek uάyyavov (see also mangonel), refer-
ence is made to the popular utterance, "Has your
been exhibited. At the Salon National (the mother sold her mangle?" Man-hole sounds older
"New Salon") in Paris in 1897 a sculptor, than 1793, when it seems to be first used by
M. d'Illbach, exhibited a remarkable series Smeaton. Mania is found so early as 1400; maniac
of life-size heads in coloured wax, under the is two centuries later. Manicure and compounds
title The Nine Symphonies of Beethoven.' Lord Quex' is among the works cited. There are
Mr. Pinero's 'Gay
are, naturally, quite modern.
They showed a great deal of poetic insight in
numerous compounds of manifest. Man in the
the manner in which the characteristics of moon is given, but not man in the street.' Man-
each symphony were thus symbolized. Those nerist is used by Dryden, 1695; mannerism is more
representing the Fifth and the Ninth Sym- than a century later. For manning, in the sense of
phonies were particularly fine and appro- Dilke is the chief authority. Full, important, and
"the manning powers of the Admiralty," Sir C.
priate. I have always regretted that they interesting information is given under manor. Man-
were not well illustrated in some art period-queller-murderer is not quite obsolete. The his-
ical, so as to become better known. What
became of them, or whether any one pur-
chased them, I have never heard.
H. H. STATHAM.
There is a fine drawing by Aubrey Beards-
ley of a lady seated upon a prancing horse,
inspired by Chopin, Ballade III., Op. 47.
A. R. BAYLEY.

Miscellaneous.

NOTES ON BOOKS, &c.

tory of mansion has abundant interest. Familiarly, at least, manteau-maker is applied to women as well as men. We recall a popular ballad

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How Mary [?], the bold manty-maker, To luke at a navvy thowt sin. instance of feminine application is given in the dictionary. Mare's nest is anticipated by "horseUnder marigold we should, for sentimental reasons, like to see Wither's

nest.

ance.

Grateful and obsequious marigold.

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The first use of marionette is in Browne's 'Britannia's Pastorals.' Mark and market, with their compounds, occupy much space and are of import"You are not for all markets," says Rosalind. Sterne's greetings in the market-place A New English Dictionary on Historical Principles. might be quoted. Marmaduc and marmady are By Dr. James A. H. Murray.-Mandragora curious misprints for maravedi. Interesting conMatter. (Vol. VI.) By Henry Bradley, Ph.D.jecture is furnished as to the origin of marmoset. (Oxford, Clarendon Press.)

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Whether marque is connected with mark is left
unsettled. Marquee is an assumed singular of
marquise apprehended as plural. Under marriage
feast might be given Milton's

The god that sits at marriage-feast.
Under married cite Juliet's

If he be married,

A DOUBLE section of the great dictionary, issued
under the charge of Dr. Bradley, occupies over one
hundred and twenty pages of vol. vi., and includes
an important instalment of the letter M. The
superiority over all competitors, on which we have
been wont to insist, is maintained, and 3,924 words
are found against 1,760 in Funk's Standard,' and
14,664 illustrative quotations appear against 1,432 in
My grave is like to prove, &c.
The Century,' the instances advanced in opposition Marrow, in "my winsome marrow," is of obscure
being in each case the most comprehensive to be origin. Marry, interjectional, supplies matter for
found. Of Romanic and Latin origin are most of
a capital article. The 'Marseillaise' is unhesitat-
the words, belonging to the earliest strata of old ingly assigned to Rouget de l'Isle. Under mar-
French, and rivalling" the native words in the mul-shalled we would give Campbell's
titude and diversity of their senses. For instances
of the truth of this we are referred to manner and
march (sb. and vb.), market, mass (sb.), master, and
matter, a portion only of which appears. In the
first colunin of the instalment are the two words,
kindred in growth and in picturesqueness of asso-
ciation, mandragora and mandrake. Both are early
in appearance, the former being found so soon as
c. 1000, and the latter being traced in Wiclif's Bible
of 1382. A misprint of mandragoru in the First
Folio Shakespeare ('Antony and Cleopatra.' I. v. 4)
may, it is held, be responsible for mandragorn in
Scott's 'Kenilworth.' Instances of use are un-
common between 1623 (Webster) and 1830. The
notion that mandrake when eaten by women pro-
motes conception is said to linger in Palestine.
Examples of the word mane, applied to human hair,
are found respectively in 1375 and 1647. George
Eliot in 1860 (Mill on the Floss') is responsible for
the picture of Maggie "tossing back her mane.

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I have marshalled my clan. Under maslin the influence of the long discussion in 'N. & Q.' is sensible. Masque (with which compare mask) and masquerade both repay attention; and mass, the Eucharistic service, demands close study. Shakespeare's master - mistress might be included with master-miss. The form of the English word mastiff is said to be difficult to account for. Coleridge's Toothless mastiff bitch" recurs to the memory. Matinée, the first citation of which is from Thackeray, is defined "a morning' (i.e., afternoon) theatrical or musical performance.'

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A Fourteenth-Century English Biblical Version.
Edited by Anna C. Paues, Ph.D. (Cambridge,
University Press.)

MANY considerations combine to make this volume
one of peculiar interest. It commands attention
from an ecclesiastical point of view as being one of

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those pre-Wycliffite translations of the Scriptures into the vernacular which, as Dr. Gasquet maintains in his book The Old English Bible,' were more frequent than was at one time admitted. Members of religious orders, it seems, who were unfamiliar with Latin and French, were allowed to use English versions, although they were forbidden to the "lewid" or common people, as Wycliffe bitterly complained. The object of these early translators was, as one of them puts it, "tyll women to mak it couth that leris no Latyn in thar youth.' The present volume gives a version, from a MS. of about 1400, of a considerable number of selected portions of the New Testament, which were put into English for the behoof of some house of religious women, as may be inferred from the reader being frequently addressed as "suster." Now after five centuries it very fittingly and appropriately finds an editor in a learned lady who has devoted herself to the study of Middle English Biblical versions, Doctorin Paues, a Fellow of Newnham. We can congratulate her on the learning, judgment, and praiseworthy accuracy with which she has done her work. In a careful analytical introduction to the text she discusses the questions suggested by it, its language, and its grammatical peculiarities. The first part of the version, she concludes, is written in a SouthWestern dialect, while the latter part has characteristics of the North or North-Eastern Midlands. The Vulgate text used by the translator seems to have preserved many curious readings analogous to those of Codex Beze, and in many instances to have been corrupt or carelessly written. Thus uia is confused with uita, muri with uiri, commonebo with commouebo, iudicate with indicate. Partly to this cause, and partly, no doubt, to the imperfect knowledge of the translator, may be attributed certain droll blunders or misunderstandings which are of frequent occurrence. The tongues of fire" (Acts ii. 3) become here "langages apperd vnto hem"; and in Acts xii. 20". persuaso Blasto " becomes "Persuasoblasto the Kenges Chaumbirleyn." Proper names, indeed, were a constant source of difficulty and downfall to this good clerk. Sosipater Pyrrhi" (Acts xx. 4) is expanded into "Sosy the fadire of Pirry"; in" venimus contra Chium" (Acts xx. 15) he finds an unknown land Contrachye":"Phylippos colonia" (Acts xvi. 12) he modernizes into "Philippis tho cyte of Coleyne.' But the crowning "howler" of all is probably the rendering of "navis Alexandrina, cui erat insigne Castor" (Acts xxviii. 11), which he turns into "a schyppe of Alysawnder tho whiche hade fairnes of Castels"; but here an older French version had led the way by giving the vessel "un molt noble chastel" Unce more: we cannot but wonder what the sisters of the community made of this, "whoso angreth thee a thousande paas, go with hym other two thousande" (Matt. v. 41), if they did not guess that the italicized word stood for angariaverit, itself a mere borrowing of the original Greek ayyapeúelv, to compel or enforce conveyance. It has escaped the net of Dr. Murray. In "Thabita surge" (Acts ix. 40) the Latin is retained, as if giving the very words of St. Peter!

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As a monument of early English this version has a distinct value for the student of language and of literature. Already we find here Adam and Eve making themselves "breches of leues" (p. 3); "Sara buxom to Abraham" (1 Pet. iii. 6); "Noe, a bedel of ryghtfulnesse" (2 Pet. ii. 5). Interesting words

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are quyletes, collections, used for gatherings or assemblies (Heb. x. 25); vmgyuen (or bounden), with this cheyne" (Acts xxviii. 20); and gaseyn, the puddle (volutabrum) in which the sow wallows (2 Pet. ii. 22), a word akin, no doubt, to Fr. gaschis, gâchis, and "wash. We note the modernsounding phrase "in proces of tyme" (p. 4), and dissentery (Acts xxviii. 8), anticipating the Revised Version, where the A.V. has "bloody flux.' The thorn letter, always a pitfall for the printer, has led him into at least one error not corrected in the errata, pought" (2 Tim. iii. 8, p. 119) standing for 'bought.

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The Works of William Shakespeare. In 10 vols. Vol. III. (Stratford, the Shakespeare Head Press.)

THE third volume of the noble edition of Shakespeare issued from the Shakespeare Head Press, Stratford-on-Avon, contains four comedies: "The Merchant of Venice,' 'As You Like It,' 'The Taming of the Shrew,' and 'All's Well that Ends Well.' Its frontispiece consists of a beautiful design of The Stratford Bust.' The text retains its old simplicity and excellence, and the beauty of form is naturally maintained. Nothing remains. to be added to the eulogy of a work which might well become the most popular, as it is one of the handsomest, of library editions of Shakespeare. Glancing through the plays, to the reperusal of which the beautiful text allures, we are struck by the fact that The Taming of the Shrew' might well come immediately before instead of directly after As You Like It." In the famous epilogue to the latter play, spoken by Rosalind, the opening sentence is: "It is not the fashion to see the lady the epilogue; but it is no more unhandsome than to see the lord the prologue." This seems to hint that The Taming of the Shrew,' in the induction or prologue to which a lord is the principal character, was fresh in men's memory. This may be a mare's nest, but we do not recall having seen it previously noted. Mr. Bullen is, of course, justified in printing the works in the order already existing. Shakespeare's Sonnets. (Stratford-on-Avon, the Shakespeare Head Press.)

To the same press that gives us the afore-noticed edition of the plays of Shakespeare is owing this. daintiest conceivable edition of the Sonnets of the great dramatist. Not quite a facsimile is the volume, though the disposition and appearance of the pages favour that assumption. Some revision has, indeed, been made of the text, which in the main follows Thomas Thorpe's 1609 quarto. More than one alteration consists in the substitution of "thy" for "their" when the latter word is, Mr. Bullen holds, a misprint. Line 8 of Sonnet xxxv.,. which in the original appears

Excusing their sins more than their sins are, thus appears

Excusing their sins more than thy sins are, following a reading invented by Capell and accepted by Malone, and differing from that of Mr. George Wyndham. A more important alteration is made in Sonnet cxlvi., 1. 2, where there is evidently a compositor's blunder, and where some change is indispensable. In other cases warrantable departure from the first quarto is to be traced. The orthography is as a rule modernized, appearing for "center," "rebel" for "rebbell," and

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centre

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so forth.

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"Rime" is, however, rightly retained in Somptuaires,' three hundred plates in gold and place of "rhyme." In Sonnet xx., 1. 7, "A man in colours, 77. 158.; first edition of The Seraphim,' hew, all Hews in his controlling," is so given, Tyr-1838, 25s.; first edition of Hours of Idleness, 1807, whitt's surmise, thence derived, that the Mr. W. H. 3. 18s.; and first editions of Swinburne. Under of the dedication may be a Mr. William Hughes Ceramics we find Chaffers, Delange, Palissy, &c. being mentioned without comment; a like treat. Pearson's edition of the Dramatists is priced 31. 188.; ment being accorded Canon Beeching's rather wild and Hone's Political Tracts,' uncut as issued, and unacceptable suggestion that "a man in " is a 1820, 21s. Under Viollet-le-Duc is a handsome set misprint for " a maiden." We do not agree with in 19 vols., 237. 10s. Mr. Bullen is assigning to "years" the value of a dissyllable in cxxxviii. 12; but his conclusions generally win our unhesitating acceptauce. With many of his predecessors Mr. Bullen is at issue. He does not accept Mr. Wyndham's contention that the 1609 quarto was seen through the press by Shakespeare himself, and he regards as strange perversity" the supposition of Mr. Sidney Lee and others that "my lovely boy" in Sonnet cxxvi. is Cupid. With the view of Mr. Lee that the most impassioned utterances in the Sonnets are to be taken as mere servile adulation he loses patience; but he yields handsome tribute to Mr. Lee's services to literature. Thomas Tyler's assumption that the dark lady" is Mary Fitton, a peccant maid of honour to Queen Elizabeth, is not disposed of by the discovery that the monument of the fair and frail lady shows her as light. Mr. Beeching's new edition of the Sonnets is praised. The present volume, which is on hand-made paper and issued in a limited edition, will prove a delight to the scholar and the bibliophile.

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BOOKSELLERS' CATALOGUES.-JULY.

THE dog days are affecting the bookselling trade, and we have the receipt only of a few lists to record.

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Messrs. Bailey Bros., of Newington Butts, have a catalogue (No. 82) of 3,178 books, relating to Topography, Antiquities, Family History, and Genealogy. These are mainly of purchases during the last few months. We may mention Prince's Danmonii Orientales Illustres,' 1810, price 27. 28.; Blomefield's Norfolk,' 11 vols., 9. 10s.; Norfolk and Norwich Archæological Society, 7. 15s.; Bridges's Northamptonshire, 6. 15s. Bruce's Roman Wall, 1867, 57. 10s.; Suffolk Institute Pro; ceedings, 61. 6s.; Scrope's Barony of Castle Combe,' 21. 12s.; Britton's Antiquities; Allport's Camberwell,' 1841, 42s.; Stonestreet's manuscript collections on the history and antiquities of Hastings, 107. 10s.; and 'An Account of the Taylor Family,' edited by Peter Taylor, M.P., 107. 10s. The arrangement of the list is excellent and very helpful. Mr. Thomas Carver, of Hereford, has lover's Catalogue of Ancient and Modern Litera ture." There is much of interest under Hereford, including The Herd Books of Hereford Cattle,' 32 vols., 1846-1902, 81. 8s.; a choice and complete copy of Duncumb's 'Herefordshire,' exceedingly rare, 167. 16s.; and Bannister's handsome volume containing the history of the Castle, Priory, and Church of Ewias Harold, price 21s. The Catalogue gives a long notice of this work from The Athenæum of 17 Sept., 1904. A copy of Hogg and Bull's Pomona' is priced 177. 78. 6d. The list also includes a collection of topographical works.

a "Book

Mr. Frank Murray, of Derby, has a complete set of the Eragny Press Books, 17 vols., out of print and scarce. 371.; and Tennyson's Idylls, illustrated by Doré, 31. 3s. Under Essex House Vellum Books is Milton's Comus,' 47. 48. A copy of The Impartial Memorials of the Life and Writings of Thomas Hearne,' very scarce, is 31. 3s. Other items include Booth's Battle of Waterloo,' 25s.; Scott's Napoleon,' first edition, 17. 18s. 6d.; Rabelais, Urquhart and Motteux's translation, 31. 3s.; and Spenser's Epithalamion,' Essex House Press, printed on vellum, 31. 18%. 6d. Mr. Frank Murray has also a clearance list of books at 1s. each.

Mr. Wilfrid Voynich sends one of his Short Catalogues (No. 14). Many of the books are of great rarity, but space permits us to mention only is 20 guineas. Under Americana is the first edition a few. Roger Bacon's Mirror of Alchimy,' 1597, Among Early of Hawkins's 'Voyage,' 12. 12s. English Illustrated Books are Broughton's "Concent of Scripture,' 1590 (?), 147. 14s.; Cunningham's 'Cosmographical Glasse, 1559, 8. Ss.; and Record's The Castle of Knowledge,' 107. 10s. Under English Law we find Year-Books, Henry VI.,' 1601, 37. 38. Under Herbals is Dodoens and Lyte's 'A Niewe Herball of Historie of Plantes,' 1578, 157. 158. copy of Estienne's A World of Wonders,' 1608, 71. 7s., is the exceedingly rare Edinburgh edition.

A

Mr. T. Wake, of Fritchley, Derby, publishes his monthly list of books, coins, and antiquities. We shall not attempt to read his catalogues until he prints them in the ordinary type.

Mr. George Winter has a general list. Among the items are Pickering's Coleridge, 16 vols., 31. 38.; Bibliotheca Britannica, 1824. 17. 15s.; Keene the caricaturist's Works, 11. 18.; Percy Bate's Pre-Raphaelite Art,' 11. 4s. 6d. books on the early railways; and first editions of Tennyson. The first authorized edition of Junius, H. S. Woodfall, 1772, is marked " very scarce," 4s.

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Notices to Correspondents.
DELTA ("Geyser").- "Gezer" is the right pro-
nunciation. Query shall appear next week.
NOTICE.

Messrs. George's Sons, of Bristol, issue their two hundred and eighty-third list. We mention a few We beg leave to state that we decline to return items: Second edition of Bewick's 'Birds,' New-communications which, for any reason, we do not castle, 1805, 47. 18s.; a choice copy of 'Les Arts print; and to this rule we can make no exception.

BOOKSELLERS' CATALOGUES (JULY).

B. H.

BLACKWELL, FRANCIS

50 & 51, Broad Street, Oxford.

RECENTLY PUBLISHED.-CATALOGUE of CRITICAL EDITIONS of GREEK and LATIN CLASSICAL AUTHORS. and STANDARD WORKS dealing with Greek and Roman History, Literature, and Art.

CATALOGUE of MISCELLANEOUS SECOND-HAND BOOKS from the LIBRARIES of the late Rev. ALBERT WATSON. M.A., formerly Principal of B.N.C.. the late Prof. FREEMAN, the late R. 8. WILSON, M.A., formerly Fellow of B.N.C., and from other LIBRARIES recently purchased by the Advertiser.

NOW READY. - CATALOGUE of the THIRD (and LAST) PORTION of the LIBRARY of the late Prof. F. YORK POWELL, including Greek and Latin Classical Writers and Medieval Authors, Ecclesiastical History, Antiquarian Works, Law. Philosophy, and Miscellaneous Items. A few Copies of the complete York Powell Catalogue (Three Parts in One) may be bad at One Shilling each.

50 and 51, BROAD STREET, OXFORD.

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CATALOGUE, No. 3.

MISCELLANEOUS BOOKS IN ALL SUBJECTS,
INCLUDING SOME SCARCE AND EARLY

WORKS IM MATHEMATICS.

Welsh Buyers should write for my Monthly
Lists of Celtic Books.

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EDWARDS,

83, HIGH STREET, MARYLEBONE,
LONDON, W.

CATALOGUES NOW READY.
BOOKS on ART, illustrated Books, &c. 90 pp.
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