Peter De Vries and SurrealismBucknell University Press, 1995 - 240 pagina's Peter De Vries and Surrealism rereads De Vries in the light of surrealism and argues that the novelist and poet devised a new comic form, surrealist farce. De Vries's style and narrative technique are often surrealistic, and he mentions surrealism and surrealists in all but two of his twenty-six books. Yet, in fifty years of commentary on De Vries, scarcely any notice has been taken of these surrealist elements. This study moves from literary biography and historiography, which establish De Vries's points of contact with surrealism, through textual analysis, which traces De Vries's working through modernism toward surrealism in his early writing, to a consideration of De Vries's mature works that takes into account their surrealist aspects and allusions. |
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Pagina
... York in 1944. Chapter 3 of- fers the first discussion of De Vries's earliest published writings - poems and stories that illuminate his later work . It also explores 1930s surrealism in America and includes the first discussion of De ...
... York in 1944. Chapter 3 of- fers the first discussion of De Vries's earliest published writings - poems and stories that illuminate his later work . It also explores 1930s surrealism in America and includes the first discussion of De ...
Pagina 11
... York Times Company . Reprinted by permission . From " How Shall My Animal , " by Dylan Thomas , in The Poems of Dylan Thomas . 1938 by New Directions Publishing Corporation . Re- printed by permission of New Directions Publishing ...
... York Times Company . Reprinted by permission . From " How Shall My Animal , " by Dylan Thomas , in The Poems of Dylan Thomas . 1938 by New Directions Publishing Corporation . Re- printed by permission of New Directions Publishing ...
Pagina 17
... York and The New Yorker in 1944 , whereas by that time he had already found his vocation in six years at Poetry . He has been held accountable for trying and failing to achieve convincing realism , plausible plot , and rounded character ...
... York and The New Yorker in 1944 , whereas by that time he had already found his vocation in six years at Poetry . He has been held accountable for trying and failing to achieve convincing realism , plausible plot , and rounded character ...
Pagina 18
... York , when in fact he brought an ironic perspective born of the strictures and rationalism of Calvinism and the license and irrationalism of surrealism . The young author of 1940 deserves to be reread he has much to tell us about how ...
... York , when in fact he brought an ironic perspective born of the strictures and rationalism of Calvinism and the license and irrationalism of surrealism . The young author of 1940 deserves to be reread he has much to tell us about how ...
Pagina 38
... and eight poems during the thirties and forties . These early and sustained successes with the worldly Esquire are clear signs that it did not take transplantation to New York 38 2 : THE LITERARY LIFE OF PETER DE VRIES.
... and eight poems during the thirties and forties . These early and sustained successes with the worldly Esquire are clear signs that it did not take transplantation to New York 38 2 : THE LITERARY LIFE OF PETER DE VRIES.
Inhoudsopgave
15 | |
26 | |
Peter De Vries and 1930s Surrealism | 60 |
A Reading of But Who Wakes the Bugler? | 87 |
Surrealizations The Unofficial Career of Peter De Vries | 131 |
In The Extravagant Vein in American Humor | 166 |
Notes | 184 |
Works Cited | 214 |
Index | 229 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absurd American Humor André Breton April artist avant-garde Book Review Boston bourgeois Calvin Calvinist Charles Henri Ford Chicago comedy Consenting Adults Contemporary critics culture Dada David Gascoyne diss dreams Dutch Dylan Thomas edited Edouard Roditi English Esquire Ford's Freud funny Gale Research George Hear America Swinging Hermina images interview by Newquist J. F. Powers J. H. Bowden James Thurber Jellema John Jolas July Kenneth Burke Laughter Let Me Count letter to author literary London Bulletin Love Madder Music magazine Manifesto of Surrealism Modern Novelists Novels of Peter October parody Paul Peachum Peckham Peckham's Marbles Peter De Vries poems Poetry 64 poets published quoted readers refers Reprinted by permission Reuben romantic Salvador Dali satire says September 1940 Short Survey Story surrealism surrealist Surrealist ticket Thwing Timmerman tion University Press Vries's Vries's novels W. C. Fields Wakes the Bugler Wanderhope Witch's Milk writing wrote Yagoda York Times Book Yorker
Populaire passages
Pagina 137 - I would rather be a doorkeeper in the house of my God than dwell in the tents of wickedness.
Pagina 94 - When that I was and a little tiny boy, With hey, ho, the wind and the rain; A foolish thing was but a toy, For the rain it raineth every day.
Pagina 129 - He can neither believe, nor be comfortable in his unbelief; and he is too honest and courageous not to try to do one or the other.
Pagina 6 - I fear chiefly lest my expression may not be extra-vagant enough, may not wander far enough beyond the narrow limits of my daily experience, so as to be adequate to the truth of which I have been convinced.
Pagina 31 - ... bringest an assuaging balm — eloquent opium! that with thy potent rhetoric stealest away •the purposes of wrath...
Pagina 31 - O just, subtle, and all-conquering opium! that, to the hearts of rich and poor alike, for the wounds that •will never heal, and for the pangs of grief that "tempt the spirit to rebel," bringest an assuaging balm — eloquent opium!
Pagina 85 - ... explicable is dearer than a beauty which we can see to the end of. It is nature the symbol, nature certifying the supernatural, body overflowed by life, which he worships, with coarse but sincere rites. The inwardness and mystery of this attachment drive men of every class to the use of emblems.
Pagina 19 - In literature it is only the wild that attracts us. Dullness is only another name for lameness. It is the untamed, uncivilized, free and wild thinking in Hamlet, in the Iliad, and in all the scriptures and mythologies that delights us, — not learned in the schools, not refined and polished by art. A truly good book is something as wildly natural and primitive...
Pagina 81 - Pure psychic automatism, by which it is intended to express, verbally, in writing, or by other means, the real process of thought. Thought's dictation, in the absence of all control exercised by the reason and outside all aesthetic or moral preoccupations.