The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-century Children's Fantasy Literature

Voorkant
Greenwood Publishing Group, 1996 - 160 pagina's

Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like Alice in Wonderland and The Wind in the Willows, were written down by chance. These fanciful stories, told with child-like spontaneity, are analyzed here to argue their role in the revolution not only of children's literature, but of the general conception of childhood. In contrast to the traditional moral tales of the 18th century that were written with the express purpose of instructing children how to become adults, this literature that Sandner identifies as the fantastic sublime reveled in the imagination and the enjoyment of reading. By looking at the structure of the Romantic sublime and inventing and exploring the structure of the fantastic sublime, this work offers a completely new way to examine 19th-century children's fantasy literature, and perhaps, fantastic literature in general.

The study begins with a look at works by William Wordsworth and Samuel Taylor Coleridge, focusing on the 18th-century view of childhood and fantasy. This book expands on the notion that English Romanticism played a significant role in preparing adults to accept fantasy literature for children. Connections are made to the works of Kenneth Grahame, George MacDonald, and Christina Rossetti.

 

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Geselecteerde pagina's

Inhoudsopgave

Romanticism Childhood Fairy Tales and the World of the Spirit Chapter I Puer Aeternus the Divine Child
3
Old Fairy Tales and the New Romantic Child
13
The Moral Tale and the Fairy Tale
25
The Consubstantial World of Faery
31
The Wind from Beyond the World Chapter 5 The Correspondent Breeze
43
From the Romantic to the Fantastic Sublime
49
The Fantastic Sublime in Kenneth Grahames The Wind in the Willows
67
The Fantastic Sublime in George MacDonakTs At the Back of the North Wind
83
Christina Rossettis Goblin Market and the Feminine Rereading of the Fantastic Sublime Chapter 9 The Price of Fairy Fruit in Goblin Market
103
The Domesticated Sublime in Mary Shelleys Frankenstein
115
The Imagination Unbound in Goblin Market
121
Difference and Common Ground
137
Bibliography
149
Index
157
Copyright

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Over de auteur (1996)

DAVID SANDNER is Assistant Professor of Romanticism and Children's Literature at California State University, Fullerton.

Bibliografische gegevens