Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in AmericaUniversity of Texas Press, 2007 - 248 pagina's A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? "Mexican Spitfire" Lupe Vélez? The Frito Bandito? Familiar and reassuring—at least to Anglos—these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than "seductive hallucinations," less reality than consumer products, a kind of "digital crack." Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America. |
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... figure the border , if not figure it out . I find it both curious and symptomatic that previous generations of Welles biographers and film critics and theorists have focused more on the threat " Pancho " poses to Susan , blinding ...
... figure of the subject as turning - point ( circulation ) between image and industry ( poles of the cinematic institution ) which demands study in the analysis of films . The hypothesis , in short , is that ideology depends crucially on ...
... figure peering through the window proxies our own witnessing subjectivities . Courtesy Fan- tagraphic Books . ( right ) Detail from Frida Kahlo's self - portrait The Little Deer ( 1946 ) . Advancing to our next panel ( " Frida , " 36 ) ...
Inhoudsopgave
Nonhallucinatory Prefatory Palabras | 9 |
TextMex | 10 |
Seductive Hallucination Gallery One An Interstice | 31 |
Copyright | |
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Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America William Anthony Nericcio Gedeeltelijke weergave - 2007 |
Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America William Anthony Nericcio Fragmentweergave - 2007 |