Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in AmericaUniversity of Texas Press, 2007 - 248 pagina's A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? "Mexican Spitfire" Lupe Vélez? The Frito Bandito? Familiar and reassuring—at least to Anglos—these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than "seductive hallucinations," less reality than consumer products, a kind of "digital crack." Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America. |
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... represents a perfect example of what we can call la quiebra ( from the Spanish verb quebrar , " to break " ) . La quiebra ― a break in the order of things , is also , significantly , the moment when prior understandings of the order of ...
... represents images and events seemingly in sync with prior representations of the bor- derlands , of Mexicans , of Chicanos in word and image , it also plays upon ( preys upon ) these expectations , tak- ing spectators to another place ...
... represents an intrinsic quiebra in any narration within which s / he is placed . Welles , struggling in Hollywood since his incipient epic , Citizen Kane ( 1941 ) ; beloved by his loyal troupe of Mercury Theatre players ( including ...
Inhoudsopgave
Nonhallucinatory Prefatory Palabras | 9 |
TextMex | 10 |
Seductive Hallucination Gallery One An Interstice | 31 |
Copyright | |
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Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America William Anthony Nericcio Gedeeltelijke weergave - 2007 |
Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America William Anthony Nericcio Fragmentweergave - 2007 |