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Pagina 42
COLLAGES Max Ernst continually improved the art of collage to a poin . where it became a mode of expression that was not subject to fluctuations . He assigned to it the power of revealing the secret dispositions of morals and the mind ...
COLLAGES Max Ernst continually improved the art of collage to a poin . where it became a mode of expression that was not subject to fluctuations . He assigned to it the power of revealing the secret dispositions of morals and the mind ...
Pagina 44
Frottage became a method for investigating reality , the outcome of an interrogation of matter , a sort of soothsayer's device , in which the demon Analogy worked wonders . A frottage carried out on an oil painting on which Ernst used a ...
Frottage became a method for investigating reality , the outcome of an interrogation of matter , a sort of soothsayer's device , in which the demon Analogy worked wonders . A frottage carried out on an oil painting on which Ernst used a ...
Pagina 66
The pattern of Max Ernst's development fits the principle of contradiction he revered in his youth : having been the hero of anti - painting in the days when painting was subject to retrograde conventions , he became a lover of painting ...
The pattern of Max Ernst's development fits the principle of contradiction he revered in his youth : having been the hero of anti - painting in the days when painting was subject to retrograde conventions , he became a lover of painting ...
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Veelvoorkomende woorden en zinsdelen
100-Headed Woman aims André Breton anxiety Arizona artist ball became become began better bird Blue brings brought Brühl called canvas Capricorn career Collage Cologne color continually creates Dada dadaist decorated disturbing divided drawing dreams entire everything exhibition expression eyes faces figures fish flower Following force forest France French friendship Frottage Frottage on paper garden give Head human illustration images imagination important includes inventions landscapes later Lion living look Loplop matter Max Ernst Maximiliana mind moved museum nature objects Oedipus opened painter painting Paris PATRICK Paul Eluard pencil period personality phase piece possibilities presentation Publishes puts reality Retrospective sculpture sometimes sort surprise surrealism surrealist taken takes theme thing took toss University various visions wanted Week writing Young youth
Bibliografische gegevens
| Titel | Max Ernst A Howard Greenfield book |
| Auteur | Max Ernst |
| Redacteur | Sarane Alexandrian |
| auteur van tekst bij de foto's | Sarane Alexandrian |
| geïllustreerd door | Max Ernst |
| Editie | 2, geïllustreerd |
| Uitgever | J. P. O'Hara, 1972 |
| ISBN | 0879556021, 9780879556020 |
| Lengte | 72 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |