Wordsworth: Romantic Poetry and Revolution PoliticsManchester University Press, 1989 - 203 pagina's |
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Pagina 91
... passive principles in Lyrical Ballads , he is building in part on the foundations already laid by the emphasis Whig philosophers had given to the virtues of ' retirement ' , which allowed for objective reflection on the political health ...
... passive principles in Lyrical Ballads , he is building in part on the foundations already laid by the emphasis Whig philosophers had given to the virtues of ' retirement ' , which allowed for objective reflection on the political health ...
Pagina 96
... passive dichotomy appears to have been completely displaced in The Thorn ' , as it seems also to be in The Idiot Boy ' . Displaced is not , however , to say removed . Marjorie Levinson has argued for the way in which certain Lyrical ...
... passive dichotomy appears to have been completely displaced in The Thorn ' , as it seems also to be in The Idiot Boy ' . Displaced is not , however , to say removed . Marjorie Levinson has argued for the way in which certain Lyrical ...
Pagina 124
... passive side of the equation , however presented , includes the ' monitory voice ' of a wisdom which sees into the life of things . Book III opens with the excitement and bustle that surrounded Wordsworth's arrival at Cambridge . But ...
... passive side of the equation , however presented , includes the ' monitory voice ' of a wisdom which sees into the life of things . Book III opens with the excitement and bustle that surrounded Wordsworth's arrival at Cambridge . But ...
Inhoudsopgave
Wordsworth and pastoral politics | 1 |
the pastoral tradition in early Wordsworth | 19 |
Poetry of alienated radicalism | 69 |
Copyright | |
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action active already appear argued attempt become beginning belief Benjamin Book Cambridge century claim common Commonwealthman concerned consequence continued Country course critical Crowe death described Descriptive Sketches early eighteenth eighteenth-century England English established evidence example experience expressed fact feeling France French give Government habits heart Hill human Imagination important influence issues James John landscape later Letter liberty lines London look Lyrical Ballads means memory mind moral nature once passage passive pastoral period philosophy poem poet poet's poetic poetry political position Prelude present principles published radical reading reason reference reflection remained republican respect response retirement reveals Revolution rhetoric Salisbury Plain seen sense September Massacres situation social society specifically spirit suggests things thought tradition turn University Press vagrant virtue vision Walk Whig Wordsworth writing written