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" As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals... "
Christ Plays in Ten Thousand Places: A Conversation in Spiritual Theology - Pagina xii
door Eugene H. Peterson - 2008 - 380 pagina’s
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Proceedings, Volume 24,Deel 1939

National Recreation Congress - 1939 - 192 pagina’s
...you as if it were a wreath offered in his memory and honor. "As Kingfishers catch fire, dragon flies draw flame, As, tumbled over rim in roundy wells Stones...does one thing and the same — Deals out that being inside each one dwells: Selves! cries itself. Myself it speaks and spells. What I do is me. For this...
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Ezra Pound and the Appropriation of Chinese Poetry: Cathay, Translation, and ...

Ming Xie - 1999 - 302 pagina’s
...omissions of grammatical articles, which are then organized into rhythmic phrases set in movement: As kingfishers catch fire, dragonflies draw flame;...same: Deals out that being indoors each one dwells. . . . But of course this comparison is in an obvious sense superficial and misleading. For one thing,...
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Lionel Trilling and the Critics: Opposing Selves

John Rodden - 1999 - 546 pagina’s
...the faculty of Hood College in Frederick, Maryland, where he holds the rank of professor of English. Each mortal thing does one thing and the same: Deals...speaks and spells, Crying What I do is me: for that I came. —Gerard Manley Hopkins There is a brief passage in Sincerity and Authenticity that takes...
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Constructing Social Psychology: Creative and Critical Aspects

William James McGuire - 1999 - 484 pagina’s
...other reasons because it catches so magnificently Duns Scotus's passion for individuation and the self: Each mortal thing does one thing and the same: Deals...speaks and spells, Crying what I do is me: for that I came. If my nonexistential formulation did derive from Catholic philosophical speculations it may...
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Rhythm and Will in Victorian Poetry

Matthew Campbell - 1999 - 292 pagina’s
...but things which actively 'selve'. In a sonnet of 1877, 'As kingfishers catch fire', Hopkins states. Each mortal thing does one thing and the same: Deals...- goes itself; myself it speaks and spells. Crying ttTiat I do is me: for that I came. (5-8) As seen so frequently in the poetry discussed in this book,...
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The Problem of Evil

Eric Greenleaf - 2000 - 324 pagina’s
...bought a house together. She said that she was happy. Developing Alternative Knowledge Through Imagery As kingfishers catch fire, dragonflies draw flame;...that being indoors each one dwells; Selves — goes its self; myself it speaks and spells, Crying What I do is me: for that I came. —Gerard Manley Hopkins...
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Philosophy of the Arts: An Introduction to Aesthetics

Gordon Graham - 2000 - 248 pagina’s
...As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; each tucked string tells, each hung bell's Bow swung...indoors each one dwells; Selves - goes itself; myself ii speaks and spells, Crying What I do is me: for that I came. These lines are quite hard to say. (Even...
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Songs without Music: Aesthetic Dimensions of Law and Justice

Desmond Manderson - 2000 - 318 pagina’s
...Gerard Manley Hopkins, who writes of the "inscape" of things as a discovery of their essence: . . . Each mortal thing does one thing and the same; Deals...speaks and spells, Crying, "What I do is me: for that I came ..." "As Kingfishers Catch Fire" 49. Dewey, Art as Experience, 2~ti., 10o-1o1. 5o. Heidegger,...
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Sacred Gaia: Holistic Theology and Earth System Science

Anne Primavesi - 2000 - 222 pagina’s
...personhood as a relational event, a process, an activity, remind me of Gerard Manley Hopkins' lines: Each mortal thing does one thing and the same; Deals...being indoors each one dwells; Selves - goes itself; mvselfh speaks and spells Crying What I do is me: for that I came. (Hopkins 1930: 53) The relationship...
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A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins

Julia F. Saville - 2000 - 264 pagina’s
...semicolon. The same dynamic of expectation created and fulfillment deferred is repeated in lines 3 to 4: "like each tucked string tells, each hung bell's /...Bow swung finds tongue to fling out broad its name." Here, however, conventional iambic rhythm is displaced by the more adventurous dipodic rhythm. The...
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