Aesthetics and Subjectivity: From Kant to Nietzsche

Voorkant
Manchester University Press, 1990 - 284 pagina's
Contemporary philosophy and literary theory are based upon German philosophy from Kant onwards. Drawing on recent German theory, the author reconsiders the path of German philosophy from Kant to Nietzsche, in relation to consciousness, aesthetics and language. He provides interpretations of Kant, Fichte, the early Romantics, Schelling, Hegel, Schleiermacher and Nietzsche, telling a different story of modernity to the one current in many areas of the humanities. The book traces the beginnings of modern debates on aesthetics and politics, as well as the origins of modern hermeneutics, paying attention to the significance of music in modern philosophy.
 

Inhoudsopgave

FichteSchelling Briefwechsel ed Walter Schulz Ffm 1968 p 140
1
Friedrich Schlegels Rede über die Mythologie in
5
Ibid p 59
11
Modern philosophy and the emergence
15
German Idealism and early German Romanticism
41
Fichte Hölderlin and Novalis
58
Dieter Henrich Konzepte Ffm 1987 p
61
art as the organ of philosophy
81
aesthetics and hermeneutics
146
Music language and literature
176
the divorce of art and reason
206
Conclusion
253
Theodor W Adorno Asthetische Theorie Ffm 1973 p
254
The socalled Oldest System Programme
265
Notes
271
Henrich Selbstverhältnisse op cit p 62
275

Scheible op cit p 264
90
the beginning of aesthetic theory
115

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