Studies in Shakespeare, Milton, and DonneMacmillan, 1925 - 232 pagina's |
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Studies in Shakespeare, Milton, and Donne University of Michigan. Department of English Volledige weergave - 1925 |
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actors appears Armado Arte braggart capitano character Christian church clowns colon comic Comma Comma marking Commedia Commedia dell Comus conception court divine Donne Donne's drama early Elegy Elizabethan elocutionary emotional English evidence experience expression faith Gentlemen of Verona Grammar Grierson hath Holofernes Horton period humanistic Ibid ideal Il Penseroso imaginative influence intellectual Italian comedy John Dover Wilson knowledge ladies later Latin letter literary London Love's Labour's Lost Lycidas Lyly medieval ment Milton mind mood mystic nature Navarre Nine Worthies Ovid Paradise Lost Paradise Regained passage passion pause pedant Penseroso philosophy Platonic play poem poet poet's poetic poetry prose punctuation Queen reason religion religious Renaissance romantic Samson Agonistes says scepticism sense sentence Sextus Empiricus Shakespeare Sir Tophas sonnet sort soul speech Spenser spirit suggested theme thou thought tion tradition truth University of Michigan verse words written youth
Populaire passages
Pagina 149 - And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and I heard the voice of harpers harping with their harps: 3.
Pagina 161 - Here Love his golden shafts employs, here lights His constant lamp, and waves his purple wings, Reigns here and revels...
Pagina 122 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Pagina 135 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer: Who...
Pagina 18 - Our wooing doth not end like an old play; Jack hath not Jill : these ladies' courtesy Might well have made our sport a comedy. King. Come, sir, it wants a twelvemonth and a day, And then 'twill end.
Pagina 185 - Sophocles, and Euripides, the three tragic poets unequalled yet by any, and the best rule to all who endeavour to write tragedy. The circumscription of time wherein the whole drama begins and ends, is according to ancient rule, and best example, within the space of twenty-four hours.
Pagina 230 - If they be two, they are two so As stiffe twin compasses are two, Thy soule the fixt foot, makes no show To move, but doth, if the'other doe. And though it in the center sit, Yet when the other far doth rome, It leanes, and hearkens after it, And growes erect, as that comes home.
Pagina 181 - Tragedy, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems: therefore said by Aristotle to be of power, by raising pity and fear, or terror, to purge the mind of those and suchlike passions, that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
Pagina 134 - When every thing that is sincerely good, And perfectly divine, With Truth, and Peace, and Love, shall ever shine About the supreme throne Of him, to...
Pagina 201 - Then gin I thinke on that which Nature sayd, Of that same time when no more change shall be, But stedfast rest of all things, firmely stayd Upon the pillours of eternity...