From Caxton to Beckett: Essays Presented to W. H. Toppen on the Occasion of His Seventieth BirthdayJacques B. H. Alblas, Richard Todd Rodopi, 1979 - 133 pagina's |
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Pagina 5
... Dutch Translation of Bunyan's Allegory PETER J. DE VOOGD et al .: A Reading of William Hogarth's Marriage à la Mode M. BUNING : Lessness Magnified A.J. FRY : On the Agonies of Elitism 11 791 13 31 59 59 67 99 121 List of Plates Woodcut ...
... Dutch Translation of Bunyan's Allegory PETER J. DE VOOGD et al .: A Reading of William Hogarth's Marriage à la Mode M. BUNING : Lessness Magnified A.J. FRY : On the Agonies of Elitism 11 791 13 31 59 59 67 99 121 List of Plates Woodcut ...
Pagina 7
... Dutch edition of The Pilgrim's Progress 60 William Hogarth's Marriage à la Mode Plate I 71 Marriage à la Mode Plate II 75 Marriage à la Mode Plate III 79 Marriage à la Mode Plate IV 82 Marriage à la Mode Plate V 88 Marriage à la Mode ...
... Dutch edition of The Pilgrim's Progress 60 William Hogarth's Marriage à la Mode Plate I 71 Marriage à la Mode Plate II 75 Marriage à la Mode Plate III 79 Marriage à la Mode Plate IV 82 Marriage à la Mode Plate V 88 Marriage à la Mode ...
Pagina 13
... Dutch would conceivably , though precariously , have to start with the early- 9th - c . transposition of the Old Saxon Genesis into the Old English Genesis B. Precariously , because Old Saxon is not the lineal ancestor of either Middle ...
... Dutch would conceivably , though precariously , have to start with the early- 9th - c . transposition of the Old Saxon Genesis into the Old English Genesis B. Precariously , because Old Saxon is not the lineal ancestor of either Middle ...
Pagina 14
... Dutch still prosodically resembles the Middle English of Chaucer's day . This syllabic near- parity is the numerical secret of A.J. Barnouw's unsurpassed met- rical translations in Modern Dutch . It enabled him to render Chaucer ...
... Dutch still prosodically resembles the Middle English of Chaucer's day . This syllabic near- parity is the numerical secret of A.J. Barnouw's unsurpassed met- rical translations in Modern Dutch . It enabled him to render Chaucer ...
Pagina 15
... Dutch and Middle Eng- lish , and more especially those of the age of Caxton and Everyman , to which we now turn , were by no means as smooth and simple . Middle English had shed or suppressed in speech most of the mor- phemic -e's ...
... Dutch and Middle Eng- lish , and more especially those of the age of Caxton and Everyman , to which we now turn , were by no means as smooth and simple . Middle English had shed or suppressed in speech most of the mor- phemic -e's ...
Inhoudsopgave
7 | |
The Passion Poems of George Herbert | 31 |
The Earliest Editions of | 61 |
Lessness Magnified | 101 |
On the Agonies of Elitism | 121 |
Veelvoorkomende woorden en zinsdelen
Agony alderman Andrewes ash grey blessed days blood body only upright Bunyan's calm eye Caxton Christ Countess Divine Divine Grace Earl edition Elckerlijc emblem emblem books Everyman figment foregrounded four walls gone from mind grey air timeless grey all sides grey face Haeften Harvey's heart beating Herbert Hogarth ideophones image groups Lady Squanderfield language Lessness lexical light literature little body London looking Marriage A-la-Mode Martin Esslin Middle English mijn never op.cit painting pale blue paragraph Passion Philip Hobsbaum phonaesthetic phrases Pilgrim's Progress planes all gone poem prose reader reference refuge long last Reynard Samuel Beckett sand SANOR scattered ruins scene Schola Cordis sentence sheer white sides earth sky sides endlessness Silvertongue Squanderfield suggests T.S. Eliot Temple thou tion Title-page touch close tradition true refuge issueless true refuge long variant readings white blank planes William Caxton William Hogarth woman Woodcut words Zandvoort
Populaire passages
Pagina 35 - Is it nothing to you, all ye that pass by? behold, and see if there be any sorrow like unto my sorrow, which is done unto me, wherewith the LORD hath afflicted me in the day of his fierce anger.
Pagina 48 - Oh that my words were now written! oh that they were printed in a book! That they were graven with an iron pen and lead in the rock for ever!
Pagina 47 - He hath turned aside my ways, and pulled me in pieces: he hath made me desolate. He hath bent his bow, and set me as a mark for the arrow.
Pagina 53 - The dew, for which grasse cannot call, Drop from above! Death is still working like a mole, And digs my grave at each remove: Let grace work too, and on my soul Drop from above. Sinne is still hammering my heart Unto a hardnesse void of love: Let suppling grace, to crosse his art, Drop from above.
Pagina 119 - Ruins true refuge long last towards which so many false time out of mind. All sides endlessness earth sky as one no sound no stir. Grey face two pale blue little body heart beating only upright. Blacked out fallen open four walls over backwards true refuge issueless. Scattered ruins same grey as the sand ash grey true refuge. Four square all light sheer white blank planes all gone from mind.
Pagina 53 - To warm his love, which, I did fear, grew cold. But as my heart did tender it, the man Who was to take it from me, slipt his hand, And threw my heart into the scalding pan; My heart that brought it (do you understand?) The offerer's heart. Your heart was hard, I fear.
Pagina 14 - Englysshe now vsid, and certaynly it was wreton in suche wyse that it was more lyke to Dutche than Englysshe, I coude not reduce ne brynge it to be vnderstonden.
Pagina 58 - This verse marks that, and both do make a motion Unto a third, that ten leaves off doth lie. Then, as dispersed herbs do watch a potion, These three make up some Christian's destiny.
Pagina 43 - ... gone About some land, which he had dearly bought Long since on earth, to take possession. I straight return'd, and knowing his great birth, Sought him accordingly in great resorts; In cities, theatres, gardens, parks, and courts: At length I heard a ragged noise and mirth Of theeves and murderers: there I him espied. Who straight. Your suit is granted, said, & died.