Areopagitica

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Brian Westland, 5 feb 2020 - 52 pagina's

Areopagitica is a publishing history work by John Milton published as an appeal to the English Parliament to rescind their Licensing Order of 1643, which was designed to bring publishing under government control by creating a number of official censors to whom authors would submit their work for approval prior to publication.Areopagitica was published 23 November 1644 at the height of the English Civil War. It takes its title in part from Areopagitikos, a speech written by Athenian orator Isocrates in the 5th century BC. (The Areopagus is a hill in Athens, the site of real and legendary tribunals, and was the name of a council whose power Isocrates hoped to restore.) Some argue that it is more importantly also a reference to the sermon which St Paul preached against ignorance and idolatry in Athens, recorded in Acts 17:18-34.[2]Like Isocrates, Milton had no intention of delivering his speech orally. Instead, it was distributed via pamphlet, defying the same publication censorship which he argued against. As a Protestant, Milton had supported the Presbyterians in Parliament, but in this work he argued forcefully against Parliament's 1643 Ordinance for the Regulating of Printing, also known as the Licensing Order of 1643, in which Parliament required authors to have a license approved by the government before their work could be published.This issue was personal for Milton, as he had suffered censorship himself in his efforts to publish several tracts defending divorce (a radical stance which met with no favour from the censors). Areopagitica is full of biblical and classical references which Milton uses to strengthen his argument. This is particularly fitting because it was being addressed to the Calvinist Presbyterians who comprised Parliament at that time.According to George H. Sabine, the Areopagitica was based on an engaged public: Its basic principle was the right and also the duty of every intelligent man as a rational being, to know the grounds and take responsibility for his beliefs and actions. Its corollary was a society and a state in which decisions are reached by open discussion, in which the sources of information are not contaminated by authority in the interest of party, and in which political unity is secured not by force but by a consensus that respects variety of opinion.

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Over de auteur (2020)

John Milton (9 December 1608 - 8 November 1674) was an English poet, polemicist, man of letters, and civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. He wrote at a time of religious flux and political upheaval, and is best known for his epic poem Paradise Lost (1667), written in blank verse. Writing in English, Latin, Greek, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended into his style: he introduced new words (coined from Latin) to the English language, and was the first modern writer to employ non-rhymed verse outside of the theatre or translations. William Hayley's 1796 biography called him the greatest English author, [1] and he remains generally regarded as one of the preeminent writers in the English language, [2] though critical reception has oscillated in the centuries since his death (often on account of his republicanism). Samuel Johnson praised Paradise Lost as a poem which...with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind, though he (a Tory and recipient of royal patronage) described Milton's politics as those of an acrimonious and surly republican.[3] Poets such as William Blake, William Wordsworth and Thomas Hardy revered him. The phases of Milton's life parallel the major historical and political divisions in Stuart Britain. Milton studied, travelled, wrote poetry mostly for private circulation, and launched a career as pamphleteer and publicist under the increasingly personal rule of Charles I and its breakdown into constitutional confusion and war. The shift in accepted attitudes in government placed him in public office under the Commonwealth of England, from being thought dangerously radical and even heretical, and he even acted as an official spokesman in certain of his publications. The Restoration of 1660 deprived Milton, now completely blind, of his public platform, but this period saw him complete most of his major works of poetry. Milton's views developed from his very extensive reading, as well as travel and experience, from his student days of the 1620s to the English Civil War.[4] By the time of his death in 1674, Milton was impoverished and on the margins of English intellectual life, yet famous throughout Europe and unrepentant for his political choices. John Milton was born in Bread Street, London on 9 December 1608, the son of composer John Milton and his wife Sarah Jeffrey. The senior John Milton (1562-1647) moved to London around 1583 after being disinherited by his devout Catholic father Richard the Ranger Milton for embracing Protestantism.[5] In London, the senior John Milton married Sarah Jeffrey (1572-1637) and found lasting financial success as a scrivener.[6] He lived in and worked from a house on Bread Street, where the Mermaid Tavern was located in Cheapside. The elder Milton was noted for his skill as a musical composer, and this talent left his son with a lifelong appreciation for music and friendships with musicians such as Henry Lawes.[7] Milton's father's prosperity provided his eldest son with a private tutor, Thomas Young, a Scottish Presbyterian with an M.A. from the University of St. Andrews. Research suggests that Young's influence served as the poet's introduction to religious radicalism.[8] After Young's tutorship, Milton attended St Paul's School in London. There he began the study of Latin and Greek, and the classical languages left an imprint on both his poetry and prose in English (he also wrote in Italian and Latin).

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