"You

heart sufficient to generate a brood of serpents," said Elliston, with a hollow laugh. should have heard my homilies to the good townspeople. Positively, I deem myself fortunate in having bred but a single serpent. You, however, have none in your bosom, and therefore cannot sympathize with the rest of the world. It It gnaws me! me! It It gnaws me!"

With this exclamation Roderick lost his self

control and threw himself upon the grass, testifying his agony by intricate writhings, in which Herkimer could not but fancy a resemblance to the motions of a snake. Then, likewise, was heard that frightful hiss, which often ran through the sufferer's speech, and crept between the words and syllables without interrupting their succession.

"This is awful indeed!" exclaimed the sculptor-"an awful infliction, whether it be actual or imaginary. Tell me, Roderick Elliston, is there any remedy for this loathsome evil?

"Yes, but an impossible one," muttered Roderick, as he lay wallowing with his face in the "Could I for one instant forget mygrass. self, the serpent might not abide within me. It my diseased self-contemplation that has engendered and nourished him."

is

"Then forget yourself, my husband,” said a gentle voice above him; forget yourself in the idea of another!"

Rosina had emerged from the arbor, and was bending over him with the shadow of his anguish reflected in her countenance, yet so mingled with hope and unselfish love that all anguish seemed but an earthly shadow and a dream. She touched Roderick with her hand. A tremor shivered through his frame. At that moment, if report be trustworthy, the sculptor beheld a waving motion through the grass, and heard a tinkling sound, as if something had plunged into the fountain. Be the truth as it might, it is certain that Roderick Elliston sat up like a man renewed, restored to his right mind, and rescued from the fiend which had so miserably overcome him in the battlefield of his own breast.

"Rosina!" cried he, in broken and passionate tones, but with nothing of the wild wail that had haunted his voice so long, "forgive! forgive!"

Her happy tears bedewed his face.

"The punishment has been severe," observed the sculptor. "Even Justice might now forgive; how much more a woman's tenderness! Roderick Elliston, whether the serpent was a physical reptile, or whether the morbidness of your nature suggested that symbol to your fancy, the moral of the story is not the less true and strong. A tremendous Egotism, manifesting itself in your case in the form of

jealousy, is as fearful a fiend as ever stole into the human heart. Can a breast, where it has dwelt so long, be purified?"

"O yes," said Rosina, with a heavenly smile. "The serpent was but a dark fantasy, and what it typified was as shadowy as itself. The past, dismal as it seems, shall fling no gloom upon the future. To give it its due importance we must think of it but as an anecdote in our Eternity."

55

THE CHRISTMAS BANQUET

[FROM THE UNPUBLISHED

HEART"]

ALLEGORIES OF THE

[In his American Note-Books, p. (26) Hawthorne sets down the scheme of this tale in a slightly different form. "A Thanksgiving dinner. All the miserable on earth are to be invited, as the drunkard, the bereaved parent, the ruined merchant, the broken-hearted lover, the poor widow, the old man and woman who have outlived their generation, the disappointed author, the wounded, sick, and broken soldier, the diseased person, the infidel, the man with an evil conscience, little orphan children or children of neglectful parents, shall be admitted to the table, and many others. The giver of the feast goes out to deliver his invitations. Some of the guests he meets in the streets, some he knocks for at the doors of their houses. The description must be rapid. But who must be the giver of the feast, and what his claims to preside? A man who has never found out what he is fit for, who has unsettled aims or objects in life, and whose mind gnaws him, making him the sufferer of many kinds of misery. He should meet some pious, old, sorrowful person, with more outward calamities than any other, and invite him, with a reflection that piety would make all that miserable company truly thankful."]

I

HAVE here attempted," said Roderick, unfolding a few sheets of manuscript, as he sat with Rosina and the sculptor in the summer-house; "I have attempted to seize hold

of a personage who glides past me occasionally, in my walk through life. My former sad experience, as you know, has gifted me with some degree of insight into the gloomy mysteries of the human heart, through which I have wandered like one astray in a dark cavern, with his torch fast flickering to extinction. But this man, this class of men, is a hopeless puzzle."

"Well, but propound him," said the sculptor. "Let us have an idea of him, to begin with."

"Why, indeed," replied Roderick, "he is such a being as I could conceive you to carve out of marble, and some yet unrealized perfection of human science to endow with an exquisite mockery of intellect; but still there lacks the last inestimable touch of a divine Creator. He looks like a man-and, perchance, like a better specimen of man than you ordinarily meet. You might esteem him wise; he is capable of cultivation and refinement, and has at least an external conscience, but the demands that spirit makes upon spirit are precisely those to which he cannot respond. When at last you come close to him you find him chill and unsubstantial—a mere vapor."

"I believe," said Rosina, "I have a glimmering idea of what you mean.'

"Then be thankful," answered her husband, . smiling; "but do not anticipate any further illumination from what I am about to read.