Hamlet: The Texts of 1603 and 1623: Third SeriesBloomsbury Academic, 22 mrt 2006 - 384 pagina's "This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text. This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text" -- Publisher description. |
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Pagina 106
... Irace coagulate ] Q2F ; calagulate Q 354+ SP ] F ; Play . Q12 361-3 ] Q2F ; Q1 lines beard : / bawdry , / come . / 1 PLAYER But who , O who had seen the. - 1 PLAYER HAMLET 350 355 360 347-8 total blood ' completely dressed , horridly ...
... Irace coagulate ] Q2F ; calagulate Q 354+ SP ] F ; Play . Q12 361-3 ] Q2F ; Q1 lines beard : / bawdry , / come . / 1 PLAYER But who , O who had seen the. - 1 PLAYER HAMLET 350 355 360 347-8 total blood ' completely dressed , horridly ...
Pagina 155
... Irace . The equivalent sequence in Q2 / F is in prose . 1 I say no The implication is that the two are already in the midst of an argument . 10 ergo therefore ( Latin ) 11 You're gone you are beaten or defeat- ed ( by my argument ) 14 ...
... Irace . The equivalent sequence in Q2 / F is in prose . 1 I say no The implication is that the two are already in the midst of an argument . 10 ergo therefore ( Latin ) 11 You're gone you are beaten or defeat- ed ( by my argument ) 14 ...
Pagina 162
... Irace places it between 146 and 147 : see next note and Fig . 5 . 146 SP * Leartes speaks this line in Q1 ; Hubbard , Weiner and Irace assign it to Hamlet , as in Q2 / F . Irace notes that Q's SP misplacement could result from a crowded ...
... Irace places it between 146 and 147 : see next note and Fig . 5 . 146 SP * Leartes speaks this line in Q1 ; Hubbard , Weiner and Irace assign it to Hamlet , as in Q2 / F . Irace notes that Q's SP misplacement could result from a crowded ...
Inhoudsopgave
Introduction | 1 |
THE TRAGICAL HISTORY | 41 |
THE TRAGEDY | 173 |
Copyright | |
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Overige edities - Alles bekijken
Hamlet: The Texts of 1603 and 1623: Third Series William Shakespeare Geen voorbeeld beschikbaar - 2007 |
Hamlet: The Texts of 1603 and 1623: Third Series William Shakespeare Geen voorbeeld beschikbaar - 2007 |
Veelvoorkomende woorden en zinsdelen
actors Ard Q2 BARNARDO Ben Greet better Capell CORAMBIS dead death Denmark doth drink edited editors Edwards emend Enter HAMLET Enter KING error Exeunt Exit eyes F lines F reading father follow Q2 Fortenbrasse Fortinbras GENTLEMAN Gertred GHOST give GRAVEDIGGER GUILDENSTERNE HAMLET Ay hast hath heart heaven Hibbard adopt Q2's Hibbard prefer Q2's HORATIO i'th Irace is't Jenkins King Hamlet King's Laertes Leartes look lord MacDonald madness MARCELLUS MARCELLUS HAMLET Marry means misreading mother murder Ofelia OPHELIA OSRICKE Oxf and Hibbard perhaps phrase play Players POLONIUS pray preferred e.g. presumably Prince Hamlet production of Q1 prose Q1 lines Ql's Quarto QUEEN Red Shift revenge REYNOLDO ROSINCRANCE Rossencraft and Gilderstone Scene seems sense Shakespeare soul speak speech stage Stratford-upon-Avon subst tell Theatre of NOTE thee thou three texts Voltemar Weiner and Irace William Poel words