Word Like a Bell: John Keats, Music and the Romantic PoetKent State University Press, 1992 - 218 pagina's Music was supremely important to the Romantic poets, particularly to John Keats. In this first book-length study on the subject, John A. Minahan explores Keats's work in relation to the art of music. Word Like a Bell considers Keats's major poems as well as his letters and minor verse. Writing in a jargon-free style, Minahan examines the relationship between the musical and literary manifestations of Romantic theory, and the connection between that theory and Keats's work. He then offers new insights into Keats's poetry and his era, among them a detailed explanation of why the "Great Odes" ought to be considered a single extended piece. Also receiving extensive treatment are Wordsworth, Coleridge, Shelley, Haydn, Mozart, and Beethoven, whose ideas and creations illustrate how music influences every aspect of Romantic thought. In his exploration of the relationship between different but related arts, Minahan both locates Romanticism in its historical and aesthetic context and expands the capabilities of literary criticism. He finds that music enables Romanticism to voice its fundamental concern about time and its passage, and shows us that an understanding of poetry's relation to music can enrich our appreciation of both arts while deepening our own experiences of time. This interdisciplinary study will appeal to readers of poetry and literary criticism and to professional musicians who would increase their understanding of an age's art, songwriters interested in word/music relations, and poets who crave an extensive discussion of poetic technique and craft that uses music as a way to clarify such points. |
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Pagina 202
John Keats, Music and the Romantic Poet John A. Minahan. 17. Wordsworth , preface , Heath 405 . 18. Wordsworth , preface , Heath 403 . 19. Coleridge , Biographia ch . 14 , Heath 518 . 20. Coleridge , Biographia ch . 14 , Heath 518 . 21 ...
John Keats, Music and the Romantic Poet John A. Minahan. 17. Wordsworth , preface , Heath 405 . 18. Wordsworth , preface , Heath 403 . 19. Coleridge , Biographia ch . 14 , Heath 518 . 20. Coleridge , Biographia ch . 14 , Heath 518 . 21 ...
Pagina 203
... John Keats 454–56 . THE STANZA 1. Milton 210 . 2. Bate , Stylistic Development 91–92 . 3. Adelman , " The Dangers " in Danzig 110 . 4. Bate , John Keats 665 . 5. Bate , John Keats 312 , 314 . 6. CP 417 , 436 , 439 . THE ODE STANZA 1 ...
... John Keats 454–56 . THE STANZA 1. Milton 210 . 2. Bate , Stylistic Development 91–92 . 3. Adelman , " The Dangers " in Danzig 110 . 4. Bate , John Keats 665 . 5. Bate , John Keats 312 , 314 . 6. CP 417 , 436 , 439 . THE ODE STANZA 1 ...
Pagina 210
John Keats, Music and the Romantic Poet John A. Minahan. Strunk , Oliver , ed . Source Readings in Music History . New York : Norton , 1950 . Sutherland , Donald . On Romanticism . New York : New York UP , 1971 . Tetreault , Ronald ...
John Keats, Music and the Romantic Poet John A. Minahan. Strunk , Oliver , ed . Source Readings in Music History . New York : Norton , 1950 . Sutherland , Donald . On Romanticism . New York : New York UP , 1971 . Tetreault , Ronald ...
Inhoudsopgave
The Varieties of Musical Experience | 29 |
Words Music and Interpretation | 59 |
The Romantic Uses of Sound | 98 |
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