The SpectatorGeorge Routledge and sons, 1888 - 919 pagina's |
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Pagina 65
... Verse . I am Aristotle 3 observes , that the Iambick Verse in the Greek Tongue was the most proper for Tragedy : Because at the same time that it lifted up the Discourse from Prose , it was that which approached nearer to it than any ...
... Verse . I am Aristotle 3 observes , that the Iambick Verse in the Greek Tongue was the most proper for Tragedy : Because at the same time that it lifted up the Discourse from Prose , it was that which approached nearer to it than any ...
Pagina 362
... Verse , ' the Essay on the Art of Poetry , 2 and syllables in the fourth , give such a Beauty to this the Essay upon Criticism . Passage , as would have been very much admired in an Ancient Poet . The Reader may observe the following ...
... Verse , ' the Essay on the Art of Poetry , 2 and syllables in the fourth , give such a Beauty to this the Essay upon Criticism . Passage , as would have been very much admired in an Ancient Poet . The Reader may observe the following ...
Pagina 410
... Verse . Rhyme , without any other Assistance , throws the Lan- guage off from Prose , and very often makes an indifferent Phrase pass unregarded ; but where the Verse is not built upon Rhymes , there Pomp of Sound , and Energy of ...
... Verse . Rhyme , without any other Assistance , throws the Lan- guage off from Prose , and very often makes an indifferent Phrase pass unregarded ; but where the Verse is not built upon Rhymes , there Pomp of Sound , and Energy of ...
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Acquaintance Actions Addison Admiration Æneid agreeable Alcibiades appear Aristotle Author Beauty Behaviour Body called Character Club Conversation Country Creature Death desire Discourse Dress Drury Lane endeavour English Entertainment Epic Poetry Eyes Father Favour Fortune Friend Genius Gentleman give happy Head Heart Honour hope House Hudibras human humble Servant Humour Iliad Julius Cæsar kind King Lady Letter live look Love Lover Mankind manner Marriage Matter mean Mind Musick Name Nature never Number obliged observe Occasion Opera Ovid Paper Paradise Lost particular pass Passion Person Pharamond Pict Place Plato Play pleased Pleasure Poem Poet present publick racter Reader Reason Sappho Satyr Sense shew Sir ROGER Socrates Soul speak SPECTATOR Spirit Steele Subject Tatler tell Temper thing thou thought tion told Town turn Verse Virg Virgil Virtue Whig whole Woman Women Words World write young