Alexander Magnus, Auguftus, Francis I. Cofmo di Medicis, and Charles V celebrated for their affection to arts Page 40 Time and leisure required to bring a work to perfection 4.I Sculpture and chalcography ancient in China, on what materials, and how wrought Letters in Europe firft cut in wood ib ib The ink-maker for the prefs dignified amongst the Chinese with a liberal falary and privileges, and not accounted a mechanic 42 ib Sculpture found in Mexico, and other parts of America Typography not found out by the Greeks and Romans, to be much wondered at, and why CHA P. IV. ib Of the invention and progress of chalcography in particular; together with an ample enumeration of the most renowned mafters and their works 43 Engraving on plates of brafs for prints when first appearing ib Typography when first produced in Europe Prints in the infancy of this art The devil a monochrom M. 3. M. C. what they import What fculptors added the year of our Lord to their works Who were the first gravers of prints The Italian gravers and their works Mafo Finiguerra the firft print-graver in Italy Enameling gave the first hint for the engraving of prints ib ib ib ib ib 44 ib ib ib The graving of prints, from how mean a commencement it arrived to this perfection Baccio Baldini, his works and counterfign ib ib Albert Durer, when he flourished, his incomparable works, conteft with Lucas and Mark Antonio, and how precious his works 45, 46. 47, 64, 81 Lucas Van Leyden, his works, emulation of Durer 46, 47, 64 Mark Antonio, when he flourished, his works, conteftation with Albert, &c. 46, 47, 48, 49, 50 51 For what vile prints reproved 47, 48 Martine of Antwerp his works, how efteemed by Michael An gelo R. S. what it fignifies L 2 44 48 Marco 52 ib Ugo da Carpi, his new manner of cutting for divers colours, and his works The works of Baldaffare Peruzzi, Francifco Parmegiano, Beccafumi, Baptifta Vincentino, Del Moro, Girolomo Cocu 52, 53 ib 54 Giacomo del Cavaglio, his works both in copper and ftones 53 che 54, 55 55, 56 55, 56, 57 58 The works of Francifco Villamena 58, 59 Cutting and engraving in wood how difficult and different from chalcography 59 The works of Antonio Tempefta, Cherubino Alberti, Horatio Borgiani, Raphael Guido, Giovanni Baptifta della Marca, Camillo Graffico, Cavalier Salimbene, Anna Vaiana 59, 60 Stephano della Bella 61 Medal gravers and gravers in metal and precious ftones, &c. 62, 63 63 The Diamond by whom firft engraven Medals, the knowlege of them how noble and profitable, and by what means to attain it effectually, gentlemen of note fkilful medalifts ib The German and Flemish chalcographers, and their works; viz. Aldegrave and his cypher, Hans Sibald Beme and his mark, Jerome ock, Frans Floris, Cornelius Cort, The Sadelers, Herman Muller, Sim. Frifius, Matthew Miriam, Hans Hans Holbein, Juftus Ammannus, Holtzhufen, Hans Broffehaemer, Virgilius Solis whofe eyes were put out for his lewd gravings, Henry Goltzius, George Nouvolftell, Matthew and Frederic Greuter, Saenredamus, Cornelius Galle, Count Goudt, Swanevelt, Pandern, Bronchorft, Matham, Paul Brill, Nie lant, Boetius, Londerfelius, Van Velde, Nicholas de Bruyn, Ægidius Coninxlogenfis, Stradanus, Mallery, Bolfwert, Paulus Pontius, Suannebourg, Neffe, Vofterman, Vorft, Christopher Jegher, Van Vorft, Sir Anthony Van Dyke, Sir Peter Paul Rubens, Peter de Jode, Colaert in fteel, Suyderhoef, Jo. Baur, Vander Thulden, Abraham and Cornelius Blomaert, Natalis, Ferdinand, Verden, Urieffe, Winegard, William Hondius, Van Keffel, Clovet, aukern, Lucas Kilianus, Cornelius Vischer, Vovillemont, Nolp, Lombart, Hertoc, Rembrandt, Wenceflaus Hollar, Hevelius, Anna Maria a Schurman, Breughel, Oftade, orn Clock, Queborn, Cuftos, Le Delfe, Dors, Falck, Gerard, Bens, Moeftuer, Grebber, Geldorp, Hopfer, Gerard, Bens, Chein, Ach. d' Egmont, De Vinghe, Heins, Ditmer, Cronis, Lindoven, Mirevel, Kager, Coccien, Maubease, Venius, Firens, Pierets, Quelinus, Stachade, Schut, Soutman, Vanulch, Broon, Valdet, Bifcop, Druefken, Pieter Van Aelft, Swart Jan Van Groenighen, Lucas Cranach, Joos Ammannus, Hubert Goltzius, &c. Page 63 ad 82 The French chalcograpers and their works; Petit Bernard, Nicholas Beatricius, Philippus Thomafinus, Crifpinus Magdalen and Simon de Pas, Claudius elan, Mauperch, La Pautre, Morin, N. Chaperon, Francis Perrier, Audran, Couvay, Perelle, Chauveau, Poilly, Heince, Begnon, Hurct, Bernard, Rogneffon, Rouffelet, Bellange, Richet, L'Alman, Quefnel, Soulet, Bunel, Boucher, Briot, Boulange, Bois, Champagne, Charpignon, Corneille, Caron, Claude de Lorain, Audran, Moutier, Rabel, Denisot, L'Aune, De la Rame, Hayes, Herbin, David de Bie, Vil. lemont, Marot, Toutin, Grand homme, Cereau, Trochel, Langot du Loir, L'Enfant, Gaultier, D'Origni, Prevoft, De Son, Perei, Nacret, Perret, Daret, Scalberge, Vibert, Ragot, Boiffart, Terelin, De Leu, Mauperche, L'Afne, Huret, La Hyre, Goyrand, Golignon, Cochin, Ifrael Sylvefter, Robert Nanteuil, Jaques Callot, and Boffe 82 ad 99 Chart gravers, Cordier, Riviers, Peroni and Gombouft, 90,91 The 92 The French calligraphers Painters encouraged to fet their hands to the graver CHA P. V. 93 94 ib ཙ:༩ Of drawing and defign, previous to the art of chalcography; and of the use of pictures in order to the education of children Measure and proportion have influence on all our actions 95 ib ib ib Defign the bafis of fculpture, and of many other free and noble fciences Original Drawings efteemed, and for what Antiquity of what effect ib 96 ib Defign and Drawing defined and distinguished, its antiquity and invention Accident and chance fruitful mothers 97, 98 98 ib Drawing with crayon, pen, &c. the method, and how to be performed with fuccefs Hatching, what and how attained by imitating good mafters, and by what method Overmuch exactness and finishing, a fault in drawing, and why. Polycletus's canon 99, 100 ib Accurate defigns with the pen not esteemed, and why. Who excelled in them to admiration 100, 101 Vander Doufe, Francis and John Cleyne, Francis Carter, &c. celebrated 101, 102 Colours, the production of a middle colour wrought on two extreams 102 Rubens's Rubens's and Van Dyke's first studies in Italy Page 102 103 ib 105, 106 Drawing, how neceflary Academies erected for the virtuofi, by whom Greeks and Komans, how they cherished and enobled inen of How the ancient and most renowned fculptors were fome Courts of great princes how formerly composed Painters fhould fometimes draw with the pen What painters made ufe of prints And caufed their works to be published 105 106 ib ib How to express the fenfation of the relievo or exftancy of objects by the hatches in graving What shadows are moft graceful 107 III ib And what artists work best to imitate One colour, the use and effect of it Zeuxis used but one colour 112 ib ib ib ib ib What other painters were monochromifts, and who introduced The invention of Chevalier Woolfon to blazon bearing in coat-armour by hatches without letters 113 Tonus, what it imports in graving ib Of copying after defigns and painting ib What prints are to be called excellent ib How to detect the copy of a print from an original print 114 ib His highness prince Rupert celebrated, and the gravings by him The French king an engraver A flave might not be taught to grave or paint, and why |