Oh for a soft and gentle wind! I heard a fair one cry; But give to me the snoring breeze, And white waves heaving high; There's tempest in yon horned moon, The wind is piping loud; The lightning flashing free- Her tears dropp'd down like simmer dew; I took ae kiss o' her comely cheek- Quoth the lovely lass of Preston-mill. She streek'd to heaven her twa white hands, And lifted up her watery e'e Sae lang's my heart kens aught o' God, Or light is gladsome to my e'e; While woods grow green, and burns run clear, My heart shall haud nae other love, IT'S HAME, AND IT'S HAME. It's hame, and it's hame, hame fain wad I be, An' its hame, hame, hame, to my ain countrie! When the flower is i' the bud, and the leaf is on the tree, The lark shall sing me hame in my ain countrie; The green leaf o' loyalty's beginning for to fa', There's naught now frae ruin my country can save, But the keys o' kind Heaven to open the grave, That a' the noble martyrs who died for loyaltie, May rise again and fight for their ain countrie. It's hame, and it's hame, hame fain wad I be, And it's hame, hame, hame, to my ain countrie! The great now are gane, a' who ventured to save; The new grass is springing on the tap o' their grave; But the sun through the mirk blinks blithe in my e'e: "I'll shine on ye yet in your ain countrie." It's hame, an' its hame, hame fain wad I be, An' it's hame, hame, hame, to my ain countrie! MY NANIE, O. Red rows the Nith 'tween bank and brae, I'll gang and see my Nanie, O; My Nanie, O, my Nanie, O; My kind and winsome Nanie, 0, She holds my heart in love's dear bands, In preaching time sae meek she stands, For thieving looks at Nanie, O; The world's in love with Nanie, O; My breast can scarce contain my heart, The flower o' Nithsdale's Nanie, O; Love looks frae 'neath her lang brown hair, And says, I dwell with Nanie, O. Tell not, thou star at gray daylight, Nane ken o' me and Nanie, 0; SATURDAY'S SUN. O Saturday's sun sinks down with a smile run, To smile wi' the weans at the setting of the sun: The voice of prayer is heard, and the holy psalm tune, Wha wadna be glad when the sun gangs down? Thy cheeks, my leal wife, may not keep the ripe glow Of sweet seventeen, when thy locks are like snow. Though the sweet blinks of love are most flown frae thy e'e, Thou art fairer and dearer than ever to me. I came and I won thee frae the wit o' them a'. My hame is my mailen, weel stocket and fu', My wife is the gold and delight of my e'e, Wi' nae shoots the pride of the forest to be? AWAKE, MY LOVE. Awake, my love! ere morning's ray She comb'd her curling ringlets down, Call'd from the misty mountain top. 'Tis sweet, she said, while thus the day Yes, lonely one! and dost thou mark THE THISTLE'S GROWN ABOON THE ROSE. Full white the Bourbon lily blows, Bright like a steadfast star it smiles From matchless Bruce till dauntless Græme, What conquer'd ay, what nobly spared, I vow-and let men mete the grass THE SUN RISES BRIGHT IN FRANCE. The sun rises bright in France, But he has tint the blythe blink he had O! gladness comes to many, But sorrow comes to me, As I look o'er the wide ocean To my ain countrie. O! it's nae my ain ruin That saddens aye my e'e, But the love I left in Galloway, Wi' bonnie bairnies three. My hamely hearth burnt bonnie, An' smiled my fair Marie; I've left my heart behind me In my ain countrie. The bud comes back to summer, To my ain countrie. BONNIE LADY ANN. There's kames o' hinnie 'tween my luve's lips, And gowd amang her hair; Her breists are lapt in a holy vail; Nae mortal een keek there. What lips daur kiss, or what hand daur touch, Or the waist o' Lady Ann? She kisses the lips o' her bonnie red rose, But nae gentle lip, nor semple lip, Maun touch her ladie mou'. But a broider'd belt, wi' a buckle o' gowd, Oh! she's an armfu' fit for heeven- Her bower casement is latticed wi' flowers, And comely sits she in the midst, Men's langing een to feed: She waves the ringlets frae her cheek, Wi' her milky, milky hand; An' her cheeks seem touch'd wi' the finger of God, My bonnie Lady Ann. The mornin' clud is tasselt wi' gowd, able fortune by the death of his father, he JOHN WILSON, the distinguished poet, novel- | the age of twenty-one succeeded to a considerist, and miscellaneous writer, was born at Paisley, May 18, 1785. His father was a prosperous gauze manufacturer in that town, and his mother, Margaret Sym, belonged to a wealthy Glasgow family. The boy's elementary education was received first at a school in Paisley, and afterwards at the manse of Mearns, a parish in Renfrewshire. In this rural situation the youth conned his lessons within doors; but the chief training for his future sphere consisted in many a long ramble among the beautiful scenery with which he was surrounded, and the frolics or conversation of the peasantry, among whom he soon became a general favourite. At the age of thirteen he was sent to the University of Glasgow, where he studied Greek and logic during three sessions under Professors Young and Jardine, and to the training especially of the latter he was indebted for those mental impulses which he afterwards prosecuted so successfully. In June, 1803, he entered Magdalen College, Oxford, as a gentleman-commoner; and there his diligence was attested by the knowledge of the best classical writers of antiquity which he afterwards displayed, and his native genius by the production of an English poem of fifty lines, which gained for him the Newdigate prize. In other kinds of college exercises-as boxing, leaping, running, rowing, and other athletic sports-he was also greatly distinguished. Having at Wilson on leaving college resolved to become a member of the Scottish bar, and after the usual studies he was enrolled an advocate in 1815. It must not, however, be supposed that he was either the most anxious or industrious of barristers. In the same year the unfaithful stewardship of a maternal uncle deprived him of his fortune, and obliged him to remove from Elleray to Edinburgh. He had before this begun his literary and poetic career by the publication of an elegy on the death of the Rev. James Grahame, author of the "Sabbath," with which Joanna Baillie was so much pleased that she wrote to Sir Walter Scott for the name of the author. He also composed some beautiful stanzas entitled "The Magic Mirror," which appeared in the Annual Register for 1812. During the same year he produced The Isle of Palms, and other Poems, which at once stamped their author as one of the poets of the Lake school; but much as the "Isle of Palms" |