Obey the Giant: Life in the Image WorldAugust, 2001 - 224 pagina's Design critic Rick Poynor explores the thinking behind contemporary visual culture - intriguing and fascinating appraisal. In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of "cool". Around the world, many are now waking up to the dominance of huge corporations - invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts. |
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Pagina 17
... Parr's pictures . Parr , who seems to keep a level head in the face of these onslaughts , sent Cartier- Bresson a note agreeing that they saw the world in very different ways , but asking , ' Why shoot the messenger ? " Parr's output is ...
... Parr's pictures . Parr , who seems to keep a level head in the face of these onslaughts , sent Cartier- Bresson a note agreeing that they saw the world in very different ways , but asking , ' Why shoot the messenger ? " Parr's output is ...
Pagina 19
... Parr return to this theme . It's hard not to conclude from Parr's ludicrous , logo - bedecked sightseers , his acquisitive sale - goers and wine guzzlers , his hatchet - faced garden party guests and endless shots of other image ...
... Parr return to this theme . It's hard not to conclude from Parr's ludicrous , logo - bedecked sightseers , his acquisitive sale - goers and wine guzzlers , his hatchet - faced garden party guests and endless shots of other image ...
Pagina 20
... Parr's recent work elaborates both tendencies . Today , he looks less like a photojournalist than an artist , and this might explain why early supporters in the first camp disapprove of his later pictures . It is the technique that has ...
... Parr's recent work elaborates both tendencies . Today , he looks less like a photojournalist than an artist , and this might explain why early supporters in the first camp disapprove of his later pictures . It is the technique that has ...
Inhoudsopgave
Introduction | 6 |
ADVERTISEMENTS FOR UTOPIA | 14 |
The boredom of plenty | 16 |
Copyright | |
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How to be a Graphic Designer, Without Losing Your Soul Adrian Shaughnessy Gedeeltelijke weergave - 2005 |