Obey the Giant: Life in the Image WorldAugust, 2001 - 224 pagina's Design critic Rick Poynor explores the thinking behind contemporary visual culture - intriguing and fascinating appraisal. In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of "cool". Around the world, many are now waking up to the dominance of huge corporations - invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts. |
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Pagina 66
... audience . Instead , they are simply struggling to assert their own existence . " In other words , the old - fashioned egotism required to believe you have something to say that an audience might want to hear is superseded by the ...
... audience . Instead , they are simply struggling to assert their own existence . " In other words , the old - fashioned egotism required to believe you have something to say that an audience might want to hear is superseded by the ...
Pagina 67
... audience , and that this close concern with the audience is what qualifies graphic design as a social science . * While cultural critics regularly sound the alarm about the inherent problems of a solipsistic society , most design ...
... audience , and that this close concern with the audience is what qualifies graphic design as a social science . * While cultural critics regularly sound the alarm about the inherent problems of a solipsistic society , most design ...
Pagina 194
... audience . ' We consciously went with the idea of trying to do things that were really mainstream , not commercial , but a very visible kind of work , ' says Rock . Hence the decision to move from New Haven to New York and open the ...
... audience . ' We consciously went with the idea of trying to do things that were really mainstream , not commercial , but a very visible kind of work , ' says Rock . Hence the decision to move from New Haven to New York and open the ...
Inhoudsopgave
Introduction | 6 |
ADVERTISEMENTS FOR UTOPIA | 14 |
The boredom of plenty | 16 |
Copyright | |
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How to be a Graphic Designer, Without Losing Your Soul Adrian Shaughnessy Gedeeltelijke weergave - 2005 |