Obey the Giant: Life in the Image WorldAugust, 2001 - 224 pagina's Design critic Rick Poynor explores the thinking behind contemporary visual culture - intriguing and fascinating appraisal. In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of "cool". Around the world, many are now waking up to the dominance of huge corporations - invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts. |
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Pagina 9
... creative sector is now a significant business worth more than £ 100 billion a year . Design generates £ 26.7 billion of this revenue , second only to software and computers ( £ 36.4 billion ) and some way ahead of publishing ...
... creative sector is now a significant business worth more than £ 100 billion a year . Design generates £ 26.7 billion of this revenue , second only to software and computers ( £ 36.4 billion ) and some way ahead of publishing ...
Pagina 39
... creative forces is not so easy to disentangle . ' Li's very precise , ' notes White . ' Anthon will pretend that he's not listening . But he is . ' Beeke wryly confirms the contrast of styles : ' Li is always so serious . Everything she ...
... creative forces is not so easy to disentangle . ' Li's very precise , ' notes White . ' Anthon will pretend that he's not listening . But he is . ' Beeke wryly confirms the contrast of styles : ' Li is always so serious . Everything she ...
Pagina 49
... creative genius who had , according to its original cover blurb , ' single - handedly changed the course of graphic design ' . While the magazine's look was always the work of many hands - type designers , graphic designers ...
... creative genius who had , according to its original cover blurb , ' single - handedly changed the course of graphic design ' . While the magazine's look was always the work of many hands - type designers , graphic designers ...
Inhoudsopgave
Introduction | 6 |
ADVERTISEMENTS FOR UTOPIA | 14 |
The boredom of plenty | 16 |
Copyright | |
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How to be a Graphic Designer, Without Losing Your Soul Adrian Shaughnessy Gedeeltelijke weergave - 2005 |