Obey the Giant: Life in the Image WorldAugust, 2001 - 224 pagina's Design critic Rick Poynor explores the thinking behind contemporary visual culture - intriguing and fascinating appraisal. In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of "cool". Around the world, many are now waking up to the dominance of huge corporations - invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts. |
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Pagina 28
... social class ' . A Gallup poll in 1995 indicated that 85 per cent subscribe to the existence of an underclass . Britain's classless society is a myth , argues a widely acclaimed indictment of our social structure by political ...
... social class ' . A Gallup poll in 1995 indicated that 85 per cent subscribe to the existence of an underclass . Britain's classless society is a myth , argues a widely acclaimed indictment of our social structure by political ...
Pagina 53
... social and political transformation had been blown apart by the tribal fracturing of the audience in the postmodern 1980s and , not least , by the coming of MTV . It was not an ideology that Ray Gun was able to sustain with any ...
... social and political transformation had been blown apart by the tribal fracturing of the audience in the postmodern 1980s and , not least , by the coming of MTV . It was not an ideology that Ray Gun was able to sustain with any ...
Pagina 173
... social marketing ' campaigns about fashion , the car and environmental issues . But , significant as they are , our private experiences with TV and the Internet will not supplant the billboard's public power to ambush the viewer ...
... social marketing ' campaigns about fashion , the car and environmental issues . But , significant as they are , our private experiences with TV and the Internet will not supplant the billboard's public power to ambush the viewer ...
Inhoudsopgave
Introduction | 6 |
ADVERTISEMENTS FOR UTOPIA | 14 |
The boredom of plenty | 16 |
Copyright | |
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How to be a Graphic Designer, Without Losing Your Soul Adrian Shaughnessy Gedeeltelijke weergave - 2005 |