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Pagina 8
When they began their active careers, French Cubism had already burst the
chains of traditional art, but seemed to have got into an impasse of its own with its
new artistic vocabulary. The collage, developed by the Cubists, proved none the
...
When they began their active careers, French Cubism had already burst the
chains of traditional art, but seemed to have got into an impasse of its own with its
new artistic vocabulary. The collage, developed by the Cubists, proved none the
...
Pagina 23
Materials taken out of their context are deliberately transmogrified to produce a
new pictorial unit. Max Ernst draws on the alienation principle developed by the
Cubists, but has not yet attained the plurality of meaning typical of his best work.
Materials taken out of their context are deliberately transmogrified to produce a
new pictorial unit. Max Ernst draws on the alienation principle developed by the
Cubists, but has not yet attained the plurality of meaning typical of his best work.
Pagina 69
69 The incorporation of language and script in a picture was something that
attracted Max Ernst, not in the way that it did the French Cubists, but rather in the
context of Filippo Tommaso Marinetti's Futurist parole in libertd ( 1 9 1 2- 1 3) and
...
69 The incorporation of language and script in a picture was something that
attracted Max Ernst, not in the way that it did the French Cubists, but rather in the
context of Filippo Tommaso Marinetti's Futurist parole in libertd ( 1 9 1 2- 1 3) and
...
Wat mensen zeggen - Een review schrijven
Max Ernst: a retrospective
Gebruikersrecensie - Not Available - Book VerdictDistinguished scholar Spies, previously of the Centre Georges Pompidou in Paris, and Rewald, curator at New York's Metropolitan Museum of Art (MMA), here present an exhibition catalog for the recent ... Volledige review lezen
Max Ernst: a retrospective
Gebruikersrecensie - Not Available - Book VerdictThis is the catalog of a centennial retrospective of Ernst's work held at London's Tate Gallery and in Germany. Spies, the leading Ernst scholar, delivers a dense but accessible introduction to the ... Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
Angel of Hearth appeared Aragon artistic automatism Baargeld Benjamin Péret Berlin bird Breton Bride Bunuel's canvas Chirico collage collage novel Cologne colour creative Cubists Dada Dadaists Dadamax Dali decalcomania Dorothea Tanning drawing dream elements Fair Gardener father Femme 100 tetes Fiat Modes figures film Fishbone Fishbone Forest Forest and Sun forest pictures found objects frottage Giacometti Grosz head Hearth and Home Hordes Huelsenbeck human illustrations Interior of Sight later Loplop Loplop Introduces Loplop series Magritte Marcel Duchamp Masson material Max Ernst Maximiliana metamorphosis Miro Monument motifs movement painter Paintings for Young Paris Paul Eluard period photocollage photograph Picabia Picasso pictorial form play poems psychic reality relationship reliefs Rubbing from type Schammade Schwitters sculpture Sedona semaine de bonti series of pictures Shell Flowers Surrealism Surrealist Manifesto Tanguy technique Tempel theme tion Tristan Tzara Tyrol visions visual Werner Spies Woman York Zurich
Bibliografische gegevens
| Titel | Max Ernst Books that matter Praeger world of art profile |
| Auteurs | Uwe M. Schneede, Max Ernst |
| Uitgever | Praeger, 1973 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 30 nov 2009 |
| Lengte | 216 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |