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Pagina 8
When they began their active careers , French Cubism had already burst the
chains of traditional art , but seemed to have got into an impasse of its own with
its new artistic vocabulary . The collage , developed by the Cubists , proved none
the ...
When they began their active careers , French Cubism had already burst the
chains of traditional art , but seemed to have got into an impasse of its own with
its new artistic vocabulary . The collage , developed by the Cubists , proved none
the ...
Pagina 23
Max Ernst draws on the alienation principle developed by the Cubists , but has
not yet attained the plurality of meaning typical of his best work . The Dadaists ,
and especially the Zu group , tried to steer well clear of what called ' art - making '
.
Max Ernst draws on the alienation principle developed by the Cubists , but has
not yet attained the plurality of meaning typical of his best work . The Dadaists ,
and especially the Zu group , tried to steer well clear of what called ' art - making '
.
Pagina 69
Picture Poems 1923 – 24 The incorporation of language and script in a picture
was something that attracted Max Ernst , not in the way that it did the French
Cubists , but rather in the context of Filippo Tommaso Marinetti ' s Futurist parole
in ...
Picture Poems 1923 – 24 The incorporation of language and script in a picture
was something that attracted Max Ernst , not in the way that it did the French
Cubists , but rather in the context of Filippo Tommaso Marinetti ' s Futurist parole
in ...
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André appeared Aragon arranged artistic automatism Baargeld become bird Breton called canvas Chirico collage Cologne colour created creative Dada Dadaists demonstrates Design developed direct drawing dream Duchamp early elements Eluard exhibition experiments expression Fair father figures finally Flower forest found objects France frottage gallery Gardener German given hand head human illustrations Introduces landscape later living Long Loplop Manifesto material Max Ernst means mind Miró Monument motifs movement nature objects original painter painting Paris Paul period photograph Picabia Picasso pictorial picture plant play present principle produced reality reference reflection relationship reliefs remained result rubbing sculpture shape stage stands structure Surrealism Surrealist taken takes Tanguy technique theme tion took turned Tzara visions visual whole Woman writing York Young