Max Ernst |
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Pagina 122
Uwe M. Schneede, Max Ernst. The collage principle I 22 237 As a rule the Loplop
pictures are collages ; but they also include the last frottages that Max Ernst was
to create ( with few exceptions ) until he reverted to the use of this medium in the
...
Uwe M. Schneede, Max Ernst. The collage principle I 22 237 As a rule the Loplop
pictures are collages ; but they also include the last frottages that Max Ernst was
to create ( with few exceptions ) until he reverted to the use of this medium in the
...
Pagina 207
Typescript collage , 330 x 288 ( 13 X 114 ) . Timothy Baum collection , New York .
41 Announcement of re - opening of ' Dada - Vorfrühling ' exhibition ; illustrations
by Max Ernst , 1920 . 42 Objet dad ' art , 1919 . Wood , metal and other ...
Typescript collage , 330 x 288 ( 13 X 114 ) . Timothy Baum collection , New York .
41 Announcement of re - opening of ' Dada - Vorfrühling ' exhibition ; illustrations
by Max Ernst , 1920 . 42 Objet dad ' art , 1919 . Wood , metal and other ...
Pagina 211
Oil and collage on plaster and wood , 1000 X 1820 ( 398x 713 ) . De Menil family
collection , Houston . 228 Loplop Introduces , 1930 . Oil and assemblage .
Formerly in Tristan Tzara collection , Paris . 229 Human Form , 1931 . Oil and
plaster ...
Oil and collage on plaster and wood , 1000 X 1820 ( 398x 713 ) . De Menil family
collection , Houston . 228 Loplop Introduces , 1930 . Oil and assemblage .
Formerly in Tristan Tzara collection , Paris . 229 Human Form , 1931 . Oil and
plaster ...
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André appeared Aragon arranged artistic automatism Baargeld become bird Breton called canvas Chirico collage Cologne colour created creative Dada Dadaists demonstrates Design developed direct drawing dream Duchamp early elements Eluard exhibition experiments expression Fair father figures finally Flower forest found objects France frottage gallery Gardener German given hand head human illustrations Introduces landscape later living Long Loplop Manifesto material Max Ernst means mind Miró Monument motifs movement nature objects original painter painting Paris Paul period photograph Picabia Picasso pictorial picture plant play present principle produced reality reference reflection relationship reliefs remained result rubbing sculpture shape stage stands structure Surrealism Surrealist taken takes Tanguy technique theme tion took turned Tzara visions visual whole Woman writing York Young