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Pagina 17
Word - play and conscious suppression of logic in language also characterize
Max Ernst ' s Dadaist texts . ... Werner Spies has established that in plays on
words Max Ernst has frequer made use of the portmanteau words which his
reading of ...
Word - play and conscious suppression of logic in language also characterize
Max Ernst ' s Dadaist texts . ... Werner Spies has established that in plays on
words Max Ernst has frequer made use of the portmanteau words which his
reading of ...
Pagina 48
It might be said that Max Ernst was here defending himself against the
conventional easel painting , which had suddenly begun to play a part in his work
again , by altering its terms of reference . beras trasto 87 l ' ision and blindness
1923 In ...
It might be said that Max Ernst was here defending himself against the
conventional easel painting , which had suddenly begun to play a part in his work
again , by altering its terms of reference . beras trasto 87 l ' ision and blindness
1923 In ...
Pagina 151
... is taken from Rimbaud . Max Ernst likes to play around with more or less
current concepts . On his own admission the titles only come in the final stages .
As plays on words and ideas , that is , as independent entities , they exist
alongside , or ...
... is taken from Rimbaud . Max Ernst likes to play around with more or less
current concepts . On his own admission the titles only come in the final stages .
As plays on words and ideas , that is , as independent entities , they exist
alongside , or ...
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André appeared Aragon arranged artistic automatism Baargeld become bird Breton called canvas Chirico collage Cologne colour created creative Dada Dadaists demonstrates Design developed direct drawing dream Duchamp early elements Eluard exhibition experiments expression Fair father figures finally Flower forest found objects France frottage gallery Gardener German given hand head human illustrations Introduces landscape later living Long Loplop Manifesto material Max Ernst means mind Miró Monument motifs movement nature objects original painter painting Paris Paul period photograph Picabia Picasso pictorial picture plant play present principle produced reality reference reflection relationship reliefs remained result rubbing sculpture shape stage stands structure Surrealism Surrealist taken takes Tanguy technique theme tion took turned Tzara visions visual whole Woman writing York Young