Crowds, Power, and Transformation in CinemaWayne State University Press, 9 jan 2006 - 296 pagina's A noted critic brings crowd theory to Film Studies, offering a bold new analysis of the pervasive cinematic themes of transformation and power. |
Inhoudsopgave
| 1 | |
Power versus Crowds | 21 |
Kurosawas Throne of Blood | 75 |
Predation versus Transformation | 119 |
Predation Transformation | 165 |
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action animals appears Asaji associated audience baiting crowd Battleship Potemkin become begins Buffalo Bill Burnett's camera Canetti calls Canetti identifies Canettian cinema Citizen Kane Clarice comedy comic command Conquering Hero contrast crowd crystals crowd symbols Crowds and Power dead death density desire double crowds dynamics Eisenstein's Elias Canetti enemy equality escape essay fear feel film flight crowd forest Griffith's Gumb Hail the Conquering Hannibal Lecter Harold Hitchcock human hunting pack identity imagery images individual Intolerance isolation Kane's Killer of Sheep killing Kurosawa's Lambs Lecter living Macbeth masses metamorphosis Miki Miki's Miracle of Morgan's Morgan's Creek movie murder narrative North by Northwest open crowd predation Preston Sturges prey prohibition crowd protagonists religions sequence shot Siegfried Kracauer Silence social Spirit Stan's Starling stings story Sturges Sturges's Sullivan's Travels survival survivor themes Thornhill Thornhill's threat Throne of Blood tion transformation understanding Vandamm victims Washizu wife Woodrow