The Consumption of Culture, 1600-1800: Image, Object, Text

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Ann Bermingham, John Brewer
Psychology Press, 1995 - 548 pagina's
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Inhoudsopgave

Reading women Text and image in eighteenthcentury England
42
Colonizing readers Review criticism and the formation of a reading public
54
Expanding on portraiture The market the public and the hierarchy
75
The abandoned hero The decline of state authority in the direction
89
Gombrich and the rise of landscape
103
British Romanticism gender and three women artists
121
The exchange of letters Early modern contradictions and postmodern
143
Authormongering The editor between producer and consumer
166
Outrages Sculpture and kingship in France after 1789
294
Dantes Restaurant The cultural work of experiment in early modern
319
The most polite age and the most vicious Attitudes towards culture as
341
Politeness for plebes Consumption and social identity in early eighteenth
362
Emulative consumption and literacy The Harlot Moll Flanders and
383
La chose publique Hubert Roberts decorations for the petit salon
401
News from the New Exchange Commodity erotic fantasy and
419
Womens participation in the urban culture of early modern London
440

Shot from canons or Maria Edgeworth and the cultural production
193
Polygamy Pamela and the prerogative of empire
217
identity in Georgian England
237
The states demand for accurate astronomical and navigational
263
Signs and citizens Sign language and visual sign in the French Revolution
272
The immodesty of her sex Elisabeth VigéeLebrun and the Salon of 1783
455
Elegant females and gentlemen connoisseurs The commerce in culture
489
Social order and the domestic consumption of music The politics of sound
510
INDEX
535
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