DEDICATION. TO SAMUEL JOHNSON, LL.D. DEAR SIR, By inscribing this slight performance to you, I do not mean so much to compliment you, as myself. It may do me some honour to inform the public, that I have lived many years in intimacy with you. It may serve the interests of mankind also to inform them, that the greatest wit may be found in a character, without impairing the most unaffected piety. I have, particularly, reason to thank you for your partiality to this performance. The undertaking a comedy, not merely sentimental, was very dangerous; and Mr. Colman, who saw this piece in its various stages, always thought it so. However, I ventured to trust it to the public; and, though it was necessarily delayed till late in the season, I have every reason to be grateful. I am, Dear Sir, Your most sincere friend and admirer, OLIVER GOLDSMITH. 169 PROLOGUE, WRITTEN BY DAVID GARRICK. Enter Mr. WOODWARD, dressed in black, and holding a handkerchief to his eyes. EXCUSE me, sirs, I pray-I can't yet speak- When ignorance enters, folly is at hand: I give it up-morals won't do for me; The college, you must his pretensions back, SHE STOOPS TO CONQUER. АСТ І. Scene, a Chamber in an old-fashioned House. Enter Mrs. HARDCASTLE and Mr. HARDCASTLE, Mrs. Hard. I vow, Mr. Hardcastle, you're very particular. Is there a creature in the whole country but ourselves, that does not take a trip to town now and then, to rub off the rust a little? There's the two Miss Hoggs, and our neighbour Mrs. Grigsby, go to take a month's polishing every winter. Hard. Ay, and bring back vanity and affectation to last them the whole year. I wonder why London cannot keep its own fools at home! In my time, the follies of the town crept slowly among us, but now they travel faster than a stage-coach. Its fopperies come down, not only as inside passengers, but in the very basket. Mrs. Hard. Ay, your times were fine times indeed; you have been telling us of them for many a long year. Here we live in an old rumbling mansion, that looks for all the world like an inn, but that we never see company. Our best visiters are old Mrs. Oddfish, the curate's wife, and little Cripplegate, the lame dancing-master; and all our entertainment, your old stories of Prince Eugene and the Duke of Marlborough. I hate such old-fashioned trumpery. Hard. And I love it. I love every thing that's old: old friends, old times, old manners, old books, old wine; and, I believe, Dorothy, [taking her hand] you'll own I have been pretty fond of an old wife. Mrs. Hard. Lord, Mr. Hardcastle, you're for ever at your Dorothys, and your old wifes. You may be a Darby, but I'll be no Joan, I promise you. I'm not so old as you'd make me, by more than one good year. Add twenty to twenty, and make money of that. Hard. Let me see; twenty added to twenty, makes just fifty and seven. Mrs. Hard. It's false, Mr. Hardcastle: I was but twenty when I was brought to bed of Tony, that I had by Mr. Lumpkin, my first husband; and he's not come to years of discretion yet. Hard. Nor ever will, I dare answer for him, Ay, you have taught him finely. Mrs. Hard. No matter. Tony Lumpkin has a good fortune. My son is not to live by his learning. I don't think a boy wants much learning to spend fifteen hundred a-year. Hard. Learning, quotha! A mere composition of tricks and mischief. Mrs. Hard. Humour, my dear: nothing but humour. Come, Mr. Hardcastle, you must allow the boy a little humour. Hard. I'd sooner allow him a horse-pond. If burning the footmen's shoes, frightening the maids, and worrying the kittens, be humour, he has it. It was but yesterday he fastened my wig to the back of my chair, and when I went to make a bow, I popt my bald head in Mrs. Frizzle's face. |