Three Classic African-American Novels: Clotel, Iola Leary, The Marrow of Tradition

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Knopf Doubleday Publishing Group, 11 aug 1990 - 747 pagina's
Chesnutt's ambitious and complex novel, The Marrow of Tradition (1901), was based on the 1898 race riot in Wilmington, North Carolina, which some of Chesnutt's relatives survived. This event left a considerable number of African Americans dead and expelled thousands more from their homes. Set in the fictional town of Wellington, The Marrow of Tradition centers on two prominent families, the Carterets and the Millers, and explores their remarkably intersected lives. Major Philip Carteret, editor of The Morning Chronicle newspaper, emerges as the unabashed white supremacist who, along with General Belmont and Captain George McBane, seeks to overthrow "Negro domination," setting in motion those events that culminate in the murderous "revolution." Dr. William Miller, following his medical education in the North and abroad, has returned home to "his people," establishing a local black hospital in Wellington. Dr. Miller's wife, Janet, is the racially mixed half-sister of Major Carteret's wife, Olivia. Not surprisingly, Olivia Merkell Carteret struggles to suppress the truth of her father's scandalous second marriage to Julia Brown, his black servant and Janet Miller's mother. The novel also contains several intricate subplots involving a wide cast of secondary characters: a heroic rebel's vow to avenge his father's wrongful death; a staged robbery that results in an ostensible murder; romantic entanglements; and endless doublings and pairings of both white and black characters. Yet throughout The Marrow of Tradition, Chesnutt depicts the problems afflicting the New South, offering an invective that criticizes the nation's panicked responses to issues of social equality and miscegenation.

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Over de auteur (1990)

Henry Louis Gates, Jr., is the Alphonse Fletcher University Professor and the Director of the W. E. B. Du Bois Institute for African and African American Research at Harvard University. The author of numerous books, including the widely acclaimed memoir Colored People, Professor Gates has also edited several anthologies and is coeditor with Kwame Anthony Appiah of Encarta Africana, an encyclopedia of the African Diaspora. An influential cultural critic, he is a frequent contributor to The New Yorker and other publications and is the recipient of many honors, including a MacArthur Foundation Fellowship and the National Humanities Medal.

William Wells Brown (ca. 1814–1884) was an abolitionist and social reformer best remembered as the United States’ first black novelist and playwright, as well as one of the earliest African-American historians. After escaping from slavery on New Year’s Day in 1834, he went on to publish a bestselling memoir, a collection of antislavery songs, the novel Clotel, and many other highly regarded works.

Frances Ellen Watkins Harper is one of the true unsung heroes on the 19th century. Harper was an African American abolitionist, suffragist, poet, and author. A principal member of the Woman's Christian Temperance Union, Harper was a chief leader in petitioning  the federal government into taking a greater role in progressive reform. Some of her titles include Trial and Triumph; Iola Leroy, or Shadows Uplifted; and Sowing and Reaping. Harper was born in 1825 and died in 1911. 

Charles Chesnutt (1858–1932) was born in Cleveland, Ohio. He drew on his experiences as a biracial American to address racial passing in his classic novel The House Behind the Cedars. Earning a living as a court stenographer and lawyer, Chesnutt supported a writing career that included the publication of numerous short stories and the completion of several other novels, some of which were considered too incendiary to be printed during his time. An active integrationist and civil rights leader, he was awarded a medal by the NAACP for distinguished literary contributions.

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