The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 99
... considered in this way . By the common theory , F is considered as the octave of the fifth below the fundamental c , and is there- fore ( I take it for granted that the reader understands the method of such calculations ) expressed by ...
... considered in this way . By the common theory , F is considered as the octave of the fifth below the fundamental c , and is there- fore ( I take it for granted that the reader understands the method of such calculations ) expressed by ...
Pagina 100
... considered as the major third of G , that the grave fourth does to E , considered as the major third of c . For B , as the major third of a , being 15 , and c , as the grave octave , being 3 , the difference between them is , or . This ...
... considered as the major third of G , that the grave fourth does to E , considered as the major third of c . For B , as the major third of a , being 15 , and c , as the grave octave , being 3 , the difference between them is , or . This ...
Pagina 172
... considered only in the light of a production got up to meet the exigencies of the moment . Opéra Comique . - Guillaume Tell , with the music of Grétry , is rehearsing at this theatre . Its production is not without a motive , at a ...
... considered only in the light of a production got up to meet the exigencies of the moment . Opéra Comique . - Guillaume Tell , with the music of Grétry , is rehearsing at this theatre . Its production is not without a motive , at a ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment admirable amateurs appeared applause Aria arranged artists BALLAD bass beautiful Beethoven Braham Catalani celebrated character chord Chorus composed composition concert Cramer cres Der Freischütz double bass duet effect English excellent executed Fantasia favour feeling Festival flute French German Glee grand Handel Harmonicon harmony Haydn heard HENRI HERZ instrument Italian Kapellmeister kind King's Theatre Knyvett loco Madame Caradori Mademoiselle Madlle major third manner master melody ment merit Miss Paton Miss Stephens Mozart musician never novelty octave opera oratorio orchestra original Otello Overture Paris passages Pasta perfect performed piano piano-forte pieces Pixis pleasing poetry possesses praise present produced published remarks Rondo Rossini season Semiramide semitone Signor DE BEGNIS sing singer song Sontag sounds spirit style success sung symphony talent taste tenor thing tion tone trio tune variations violin violoncello vocal voice whole words