The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
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Pagina 194
... orchestra ? The sort of instruments in use at the time of the first attempts at dramatic music , could form only in- effective and heavy orchestras : they were violas of five , seven , or nine strings ; tenor violas , which were tuned a ...
... orchestra ? The sort of instruments in use at the time of the first attempts at dramatic music , could form only in- effective and heavy orchestras : they were violas of five , seven , or nine strings ; tenor violas , which were tuned a ...
Pagina 195
... orchestra of the compositions of Cavalli , Carissimi , and Lulli , were principally composed of violins , violas of different sizes , bass and double bass violas , which the Italians termed violoni . The violin parts were written in the ...
... orchestra of the compositions of Cavalli , Carissimi , and Lulli , were principally composed of violins , violas of different sizes , bass and double bass violas , which the Italians termed violoni . The violin parts were written in the ...
Pagina 196
... orchestra are broken by the frequent use of such noisy instruments . The basis of an orchestra will always be the violin and the bass ; but as their number has not yet been augmented in the theatres of the chief towns of Europe , the ...
... orchestra are broken by the frequent use of such noisy instruments . The basis of an orchestra will always be the violin and the bass ; but as their number has not yet been augmented in the theatres of the chief towns of Europe , the ...
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Veelvoorkomende woorden en zinsdelen
accompaniment admirable amateurs appeared applause Aria arranged artists BALLAD bass beautiful Beethoven Braham Catalani celebrated character chord Chorus composed composition concert Cramer cres Der Freischütz Donna double bass duet effect English excellent executed Fantasia favour feeling Festival flute French German Glee grand Handel Harmonicon harmony Haydn heard HENRI HERZ instrument Italian Kapellmeister kind King's Theatre Knyvett loco Madame Caradori Mademoiselle Madlle major third manner master melody ment merit Miss Paton Miss Stephens Mozart musician never novelty octave opera oratorio orchestra original Otello overture Paris passages Pasta perfect performed piano piano-forte pieces Pixis pleasing poetry possesses praise present produced published Recit remarks Rondo Rossini season Semiramide semitone Signor DE BEGNIS sing singer song Sontag sounds spirit style success sung symphony talent taste tenor thing tion tone trio tune variations violin violoncello vocal voice whole words Аст