The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 84
... soprano , alto , two tenors , and base , is remarkable for the sweetness , and continuance of its air , which is sup ... sopranos , a tenor , and two bases , is a very lovely glee , full of sweet melody ; and simple as it seems , is ...
... soprano , alto , two tenors , and base , is remarkable for the sweetness , and continuance of its air , which is sup ... sopranos , a tenor , and two bases , is a very lovely glee , full of sweet melody ; and simple as it seems , is ...
Pagina 157
... soprano Solo , adapted from Mozart's Idomeneo ; a Quartet , Solo , and Chorus , by Perti ; a Salve Regina , by Novello ; a Chant for the Stabat Mater , by the same ; a Quintet from a Motet of Cherubini ; a choral Motet from Portogallo ...
... soprano Solo , adapted from Mozart's Idomeneo ; a Quartet , Solo , and Chorus , by Perti ; a Salve Regina , by Novello ; a Chant for the Stabat Mater , by the same ; a Quintet from a Motet of Cherubini ; a choral Motet from Portogallo ...
Pagina 120
... SOPRANO . 1st . Come - ly swain , why sitt'st thou so ? Fa la la la la la la la : 2d . If thy nymph no fa -- vour shew , 2d SOPRANO . BASE , ( or Mezzo Soprano , an Octave higher . ) ACCOMPANIMENT FOR THE PIANO - FORTE . 1st . 2d . If ...
... SOPRANO . 1st . Come - ly swain , why sitt'st thou so ? Fa la la la la la la la : 2d . If thy nymph no fa -- vour shew , 2d SOPRANO . BASE , ( or Mezzo Soprano , an Octave higher . ) ACCOMPANIMENT FOR THE PIANO - FORTE . 1st . 2d . If ...
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accompaniment admirable amateurs appeared applause Aria arranged artists BALLAD bass beautiful Beethoven Braham Catalani celebrated character chord Chorus composed composition concert Cramer cres Der Freischütz double bass duet effect English excellent executed Fantasia favour feeling Festival flute French German Glee grand Handel Harmonicon harmony Haydn heard HENRI HERZ instrument Italian Kapellmeister kind King's Theatre Knyvett loco Madame Caradori Mademoiselle Madlle major third manner master melody ment merit Miss Paton Miss Stephens Mozart musician never novelty octave opera oratorio orchestra original Otello Overture Paris passages Pasta perfect performed piano piano-forte pieces Pixis pleasing poetry possesses praise present produced published remarks Rondo Rossini season Semiramide semitone Signor DE BEGNIS sing singer song Sontag sounds spirit style success sung symphony talent taste tenor thing tion tone trio tune variations violin violoncello vocal voice whole words