The History of Surrealism
Belknap Press of Harvard University Press, 2000 - 351 pagina's
"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali.
Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
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... of this new publication: Louis Aragon, Jean Bernier, André Breton, Victor
Crastre, Robert Desnos, Paul Éluard, Marcel Fourrier, Paul Guitard, Benjamin
Péret, Michel Leiris, André Masson, Philippe Soupault, Victor Serge. Things had
gone far ...
... JACQUES BOIFFARD ANDRé BRETON JEAN CARRIVE ROBERT DESNOS
MARCEL DUHAMEL PAUL ÉLUARD MAX ERNST JEAN GENBACH CAMILLE
GOEMANS PAUL HOOREMAN ANDRé MAssoN MAX MORISE PIERRE
Breton, André: Mont de piété (Au sans pareil, 1919); Les champs magnétiques
with Philippe Soupault (Ibid., 1921); Clair de ... Ode à Charles Fourier (Fontaine,
1947); Martinique, charmeuse de serpents with André Masson (Sagittaire, 1948).
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